If God Didn’t Want Us to Pray at Home, She Wouldn’t Have Invented Zoom: Everyday Magic, Day 1003

Full seder on the deck via Zoom

Or Facebook Live. Or Youtube. Or any number of places to help us worship together while keeping physically apart and spiritually close. A church in Lawrence is doing by having people drive to their parking lot to watch a minister leading them while listening to the service on a radio station. The Kansas Zen Center leads meditation practice on Zoom. And if like me, you find the holy in the living earth, there’s plenty of opportunities for communion right now too with an explosion of blossoms to admire, gardens to plant, and trails to walk. The point is, we have options, people, so why is there any fuss whatsoever?

In the great state of Kansas, the state supreme court today will hear the case of Governor Laura Kelly suing a legislative committee that overturned her order that no more than 10 people meet in places of worship while we’re approaching the pandemic apex. A small committee decided the governor overstepped her authority in trying to keep Kansans safe on and beyond Easter Sunday. Petty politics aside, as Forrest Gump’s mother told him, “Stupid is what stupid does.”

Praying at home also protects those who protect us: the nurses, doctors, technicians, and others working so hard and putting their own lives at risk to take care of people with Covid-19. These people, who often can’t hug their spouses or children and have to tend the ill while wearing protective gear and putting in long hours, are put at far greater risk by people congregating in large groups where they’re much more likely to spread the virus widely. Listen to the wise words of my friend George Thompson, a doctor who is leading the call for us to worship safely.

I’ve been praying via Zoom with our Jewish congregation for over a month: attendance at our Friday evening Shabbat services is up, and these weekly services life us up. The first time we did this, close to 40 people (instead of the usual 10-15) showed up, families and singles lighting candles and showing off challah (if they made some) in their Brady Brunch-esque Zoom windows. A week ago, when our service ended, hardly anyone would leave the call, all of us staring at our screens with hunger to connect and love in our hearts.

Earlier this week, we held our first Zoom seder, Ken, Daniel and I set on the back deck instead of the laptop while Forest, who works at a grocery store and lives with 20 people, sat six feet behind. Within minutes, we had friends and family from Tucson, Winnipeg, Orlando, Brooklyn, and other locales taking turns telling our story of Exodus, singing prayers together, and during the meal, divided into break-out rooms where we could catch up in earnest. Two and half hours after we started, we ended the call with joy and renewal. Of course, it would have been more ideal to have been together in the flesh, but what we were living brought home the lessons of Passover in powerful ways.

Zoom Shabbat services

As a Jew, I’m well-acquainted with the narrative of plagues from Passover and history of efforts to annihilate us (so goes the old joke that sums up every Jewish holiday, “they tried to kill us, we lived, let’s eat”), and in all those stories — especially Passover — there’s the core refrain of stepping up and taking action to protect the community and survive as a people.

Action is key here: it’s not like Moses just shrugged and went back to his habitual patterns and old life after the Pharoah refused to free us. Instead, he and other brave leaders packed up and headed out of Egypt, crossing the parting Red Sea to wander the desert for 40 years. They didn’t know how long they would wander before finding some semblance of home, and they had to adapt, making new definitions of community and home along the way.

We’ll likely just have weeks or months to wander through Netflix offerings and pace in our backyards before we can resume meeting friends for dinner in restaurants, going back to school and work, and even meeting in person at synagogues, churches, mosques, temples and the like. But the thing is, that like the wandering Jews, we’ll have moments of making do, doing without, and praying fiercely for our loved ones and beloved communities.

Protecting the herd, ensuring the survival of our most vulnerable, requires us to put our faith in staying put and our butts on our couches. Just like with so many other aspects of our lives, we are called to pray in new ways as if our lives depend on it because they do.

Are We All Just Dust in the Wind?: Everyday Magic, Day 995

That’s the question I kept asking myself as I replayed “Dust in the Wind” on my quickly-wearing-out but relatively new copy of Point of Know Return. I was a 17-year-old Jersey girl, commuting two years each way because of a wacky bus schedule from my home in Manalapan to Brookdale Community College, just 10 miles away. There, I studied English (quelle surpris!), but mostly, poetry, music, and several guys at our school radio station, WBJB, where we often played Kansas music in between jazz, folk, showtunes, opera, and rock because we had a progressive format (mixing any and everything). Oh, and did I mention the band that put out “Dust in the Wind” was Kansas, the name of a people and place where I would find my own point of no and know return?

Yesterday, to commemorate Kansas Day (our state’s birthday), I posted a video on Facebook of another Kansas song I’ve loved since I was a teen, “Carry On, My Wayward Son.” Stephanie commented on how much she loved “Dust in the Wind,” as did Betsy, all of us teenage girls listening to it in our rooms or cars over and over. When sleep eluded me last night, I started reading up on the band and its history, discovering that one of the voices I loved in both these songs was that of Robby Steinhardt (also the classically-trained violinist), from Lawrence, and hey, both songs were written by Kerry Livgrin, who still lives in Topeka. Livgrin said “Carry On, My Wayward Son” come through him in a flash, and “Dust in the Wind” started out as a guitar exercise he created, then his wife suggested he add some lyrics.

As I shimmeyed down the Wikipedia rabbit hole, I learned there were several early version of the band, Kansas 1 and Kansas 2, plus in-and-out mergings with bands named Saratoga and White Clover (eventually a band called Proto-Kaw also). What’s more, one of the main guys in Kansas 1 was Don Montre, the twin brother of a dear friend, the late Weedle Caviness. Just as I was reading this, Weedle’s husband Paul, having seen my Kansas post, wrote me about Don (ah, the magic of Kansas or Weedle or just time itself!).

Eventually, I got to bed, telling a sleeping Ken what I had been doing, only to have him wake me up an hour later to ask if I loved “Dust in the Wind” as much as he did when it came out. Yes, of course I did, I told him. Then, hundreds of miles and dozens of years away from first hearing this song, no longer worried about if our lives are just dust in the wind (they are, but so what?), I lived out the opening lines: “I close my eyes/ Only for a moment and the moment’s gone/ All my dreams/ Pass before my eyes with curiosity.”

P.S. Check out this video of Kansas — some inexplicably dressed in the prom ruffled shirts I remember from over 40 years ago.

Please consider supporting me on Patreon to help me create new work. Patrons get weekly inspirations and prompts, cool perks, and lovely surprises.

The Secret Lives of Old Quilt Tops: Everyday Magic, Day 927

I find them irresistible: hand-sewn old quilt tops dreaming of a real  life, a little like the Velveteen Rabbit before someone loved him to death (and rebirth as a real rabbit). Although I don’t possess the super power of finding a parking spot on Massachusetts Street at lunch time, I do have a knack for glimpsing incomplete quilts hanging on the back of a folding chair in a thrift store, or slung over a clothes line at a yard sale. If they’re not moth-tattered to shreds (have plenty of those quilts already at home), the colors please me, and the price is right, I tell them, “you’re coming home with me.”

Years ago, I fell in love with a massive quilt of stars hand-sewn by an old woman at her garage sale. “It’s made from those cloth sacks flour and sugar came in,” she told me, teaching me how many staples used to come in very useful packages. She said she had made it one winter in the 1930s

when she was very depressed, and she didn’t want it around anymore. I happily paid her for it, and since then, it’s filled a wall in our home, reminding me how we’re always recycling one another’s stories and efforts. Also,  her dozens of six-pointed stars are, even if made in a time of doubt and despair, are to my eyes and faith, Jewish stars that remind me of community and spirit.

Six months ago, I found my latest adoptee in a massive thrift store — which recently absorbed an old Duckwalls (kind of like a Woolworths store but with more snow shovels for sale) — in downtown Council Grove, a thriving central Kansas town with a population of about 2,000. Council Grove is known for the Hays House, the oldest restaurant west of the Mississippi, purveyor of fine fried chicken, and the spot where Ken and I got engaged in three sentences: “You want to get married?” “Do you?” “Let’s order dessert.” We were back in Council Grove last summer on our way elsewhere because, fried chicken. After we rolled out of the restaurant, we wandered through the thrift store, and then I fell a little in love.

I tend to pick up quilts, look them over well, tell myself I have too many projects and put them back down, wander for 10 minutes, return and repeat the process a few more times, and if I’m smart enough at the moment, take the quilt to the register. Luckily, I was smart enough, and after some months of the quilt top sitting in a pile of other projects not getting anywhere fast, I made it to the fabric store for some backing, then set it all up for another season.

On Saturday, feeling just better enough from a virus to want to do something with fabric sporting the color pink, I sewed on the backing after a frustrating time of laying all the materials on the floor to line everything up before a cat or dog would pounce on it all. Sunday, after opting for the cheapest and easiest way to bind a quilt — with ties instead of quilting — I bought some matching embroidery thread. That night, between checking the Superbowl scores because I wanted my beloved stepdad’s team, Philadelphia, to win, and watching a quirky Australian film about a giant satellite dish and the first moon landing, I finished up the quilt.

Now this cheery quilt is lounging on our bed dreaming of something I can’t fathom. All I know is that someone cut out hundreds of yellow, green, and pink diamonds, then painstakingly sewed them together to make this star within a star, which is also her story within my story. I’m sleeping under the layers of someone else’s toil, troubles, hopes, and harvests. I can only wish that all who sewed these forgotten quilts are resting in peace, and that the  quilts they left behind know they’re found, loved, and giving people like me warmth, delight, and cover.

Eclipse in Our Midst: Everyday Magic, Day 909

A few days past the Great American Eclipse, I’m feeling my way through the sheer joy, possible meanings, and wild vitality of this experience. An eclipse holds and moves through many metaphors as the moon moseys toward, on top of, and past the sun, showing us new angles of light, and re-making the sun into a crescent-moon-shaped force. Day turns to night in a flash, shushing the birds and revving up the crickets. Shadows play out in unusual ways, framing light in winks, slivers, and crescents. The human world, at least many of us whether near totality or not, stops the ramble of everyday life to look up at the sky instead, flimsy eclipse glasses and cereal boxes in hand.

Didn’t have enough eclipse glasses, so we split these

This eclipse, the first one in 99 years crossing the whole country, soared its moon shadow at speeds from 2,410 mph in Oregon, to 1,502 mph in South Carolina, translating into a minute or two or three of darkness, depending on where you were. Heavily anticipated in these parts due to our proximity to 100% totality, and weather-layered with herds of rambling storms, the eclipse, like most things in life, was not what we all expected. Some locals found the overcast skies completely dissolved the value of witnessing midnight at 1:06 p.m. Others, like my son Daniel, witnessed new glimpses of glory, as he wrote the other day on Facebook. His words capture all I experienced too, as stood with friendly strangers atop picnic tables near historic buildings and a long row of antique windmills in Hiawatha, Kansas. Here’s Daniel’s word:

The sky became darker and darker gradually, just like the 2 partial eclipses I’d seen that passed through KS over the last few years. The sun was maybe 80-90% obscured before clouds from a developing storm covered it. It became a grey gloom, lit by the brighter clouds near the Western horizon. Then totality happened, without warning.

It was a quick, smooth 3-4 seconds where it went from dusk to almost complete blackness. Looking toward the Southeast (a gorgeous vista of soybeans and glaciated hills), I saw utter blackness, lit feebly by a couple farm lights that popped on. But it was our horizons that were jaw-dropping.

To the west, the only truly open patch of sky exploded into a vivid constellation of colors, with a clarity I only see in the clearest sunsets. This sunset/sunrise though was pure orange, with amber pink rising above it, before shifting to deep blue, then black. In other spots of the horizon, more light was able to shine through. Due south, the developing storm that obscured our totality took on a rich, wet golden orange – The clouds hazy with light. Rain and verga from other storms was lit up from behind, producing a sharp but gentle gradient of color. The north was also lit up, where a line of violet/orange ran up the sides of young thunderheads, before sharply halting at the edge of the black above our heads. We jumped on the picnic tables around us and shouted at the sky, I couldn’t keep my eyes from the Western sunset/sunrise.

As totality ended, it was another 3-4 seconds of rising light – like a blanket being pulled out from me while trying to sleep. The southwest (where the eclipse was traveling towards) became blue-grey, the speeding, enveloping darkness making the small storm there look like a flood-wrecking monster. The sun then peaked out, and for just a second I swear I saw lumps of light instead of a pure crescent – the quick pulse of Bailey’s beads and diamond ring effect before the jagged line asserted itself and returned the elegant crescent of fire.

I can’t truly describe how quick the transition from light to dark and back was. With no distracting countdowns, eclipse apps, or selfies, these moments were short in their immediacy and long in ecstasy. Hell, even the sun was removed as a distraction. With the sun wrapped in clouds, there was no way I could time when it became completely covered. This gave our moment of totality a visceral shock of electric surprise and wonder. I will never forget this.

Like Daniel, I agree that “even the sun was removed as a distraction,” and instead, we experienced the fullness of the moment without the climax of a corona (although that’s obviously a stunning experience in its own right). Standing in the bowl of the sky, we were part of the vanishing and returning day as well as the wild lines, curves, and downpours of storms that, in the hours after, had their own kind of eclipse with thunder so loud and long that we were jumped out of our sleep and beds to take notice.

A few days later, the rain gauge still tells of the almost 5″ that fell, the hummingbird levitating toward the feeder seemingly takes no notice, the cicadas go on, and I’m back in the hideous (but comfortable) chartreuse chair on the porch. But the eclipse is still very much in my mind and on my heart as I feel its meanings and possibilities unfold over time, even since time paused for two minutes and 37 seconds in the middle of Monday to show us something beyond.

"What It Takes": 63rd Anniversary of Brown Vs. Board of Education: Everyday Magic, Day 899

This weekend, I had the honor of being part of the Voices of Freedom Festival, celebrating the Brown vs. Board of Education supreme court decision that ended “separate but equal” policies in public schools and beyond. It was a joy to hear the music of Kelley Hunt, Isaac Cates and the Ordained, Maria the Mexican, and Injunuity, and to read with fellow poets David Baumgardner, Tava Miller, and Ashanti Spears. Here’s the poem I wrote for the occasion, held in downtown Topeka, Kansas.

What It Takes

It takes years of waiting on polished wooden benches

outside trembling courtrooms. Thousands of meetings

in church basements or someone’s living room,

sipping lukewarm coffee on folding chairs.

Centuries of nights up late worrying, or puzzling out

how to change what’s unjust and breaking us all,

then early mornings to make the oatmeal, pour the

orange juice, and remind the children to take their homework.

It takes 16 blocks to get to the black school instead of

the white one on the corner, and hundreds of new signs

for another march, hours on the phone, and dressing up

to meet with the senator who sends his aide instead

and says, don’t push, change takes time

as if that’s not obvious as daylight after decades

of waiting in chains, standing in the back of the bus

and swimming in the smaller mildewed pool

surrounded by weeds and broken beer bottles.

It takes gumption and guts, grief churned into anger

that makes a tired man head to the newspaper office

to tell a reporter, it’s past time for justice, and just in time

to turn supposed equality into walkaday freedom.

It takes all those lawsuits before judges blinded by habit

and their own inadequate stories, and all those potlucks

to break bread with people who don’t look like you,

and tell them what it’s like for mothers to count the minutes

between the school bell and the front door,

and fathers whose hearts fall when hear

their beautiful daughters say, it’s nothing, I’m okay,

when she’s not okay. It takes piles of briefs that sway

the sidewalk leading up to the school where

a little girl walks, hand in hand in a federal agent,

ready to cross the threshold into the world we should have

inhabited all along, each step a way to sing, “Stand Up.”

Even then, it’s not over, and it’ll take all this and more

to make it safe to drive, or cross the street, or ask

for help without the risk of seeing eye bullets and

all the secret lashes that separate us into a lesser people.

It takes the patience of water to turn mountains into rivers,

then find the courage to sing while the healing waters flow.