We Never Leave You, You Never Leave Us: Everyday Magic, Day 1064

I left because it was making me sick, the “it” being the job I had loved fiercely and believed I would give my heart and time to until I was well past retirement age. It was one of the hardest things I’ve ever done. It was one of the bravest. But my decision also meant I was parted from beloved land and people in and around Vermont who altogether were another home to me.

That was close to four years ago, and illness, cancer, and the pandemic being what they were, I didn’t have the chance to return to Goddard College, and more to the point, the places and people of my heart, until very recently. As soon as the plane touched down, I was surprise-flooded with ansty sorrow and sad urgency, something I would later realize was grief. It turns out that sometimes there’s only so much reconciliation and healing you can do from a distance. The first thing I had to do after we got our rental car was go to the campus with Ken, ferret out Jennifer, the woman who has holds together the college for the good over decades, and hug her a long time.

In 1996, I fell in love with the hills, mountains, woods, valleys, curves, and weather of the Green Mountains through the grounds of Goddard College. The smell of the air (pine, fir, humidity, and old wood) then, the mission of the college, the intense comradery of the faculty, and the life-changing work with the students filled me with a sense that I had found my place….at least for a good long while. I adored the intense, one-on-one teaching—more facilitation of what people wanted to learn and how they could best explore it—I did with students as well as the deep-dish connections with fellow faculty, talking late into the night about whatever made us laugh hardest.

The possibilities felt wide open, and it was there I developed Transformative Language Arts, founded and coordinated a MA in TLA for twenty years, and dug in to spin out out thousands of pages of proposals, plans, handouts, handbooks, and more for other projects, most of which crashed on the shores of we-fear-all-change in its many guises.

I persevered even when the signs billboarded sickness and anxiety, stuckness and despair. In my last decade or so of teaching there, the faculty in my program played a lot of go-on-leave-or-get-fired roulette because of the scarcity of resources and poverty mentality. We took pay cuts. Repeatedly. And we were getting paid way under value in the first place. Bad things happened, including the college, because of poor leadership and other issues, being put on probation. Infighting escalated. Then, for me, some big revelations.

First, I realized I needed to go on leave. Just a semester off, I told myself, after teaching continuously at Goddard or other institutions for 63 semesters straight with never a break. Once on leave, I decided to take off a second semester because I couldn’t make myself come back. Then the dreams started: night after night of seeing myself leaving my job. I’d wake up the next morning to tell myself I loved my job, but then I’d hear a voice in my head ask, “Do you?”

I didn’t anymore. I also had to reconcile myself with the immutable fact that after each ten-day or longer residency, I’d fly back to Kansas and promptly get sick for at least six weeks with chronic sinus issues, migraines, digestive hell. The body never lies, so they say, and this body rang clear as a bell. When I told close friends and my therapist I was thinking of quitting, they replied, “of course you are,” “it’s about time,” and “thank God.”

Since I left, most of my fellow faculty and the director of my program also departed. We’ve stayed in touch, speaking our leaving or needing-to-leave stories, the grief over what was no longer enduring, the dashed hopes and lost people along the way. Yet for me a searing bitterness lingered, blocking out all the good I experienced there, all the ways Goddard grew me up and blew open my understandings of places and people. I felt a sting when I ran into old photos of the place or picked up a cloth bag and found it had the college logo I once so proudly displayed. I had some reckoning to do.

When I returned to Vermont, it was also to wander with Jim across fields bordering Canada while watching ospreys in their nest. To laugh with Ruth over lunch in a quintessential Vermont charmer of a town. To make quinoa tabouli (so good!) with Suzanne we would eat outside surrounded by mountains beyond mountains. To meet the new goats at Sara and Joseph’s place in between hugging them repeatedly. To talk about our lives with Bobby. To connect with past students I’ve missed so much. To listen to so many others I carry with me in my heart from afar. It was a trip full of long hugs and overflowing delight in each other’s presence.

The woods on campus

But there was also this place that carried me for so long. I returned to campus a second time, leaving Ken to nap in the car, and went to the woods. When I was last here in 2018, I left little love notes in the woods, tucking them between branches or under rocks, thanking this place and saying goodbye just in case I didn’t return. It was over six months before I would decide that, but some part of me knew. Now I faced the woods, sitting against a light post on the path between the dorms and the library with my journal open. I was ready to write more notes.

Instead, the wind, the tall trees, the slow-motion falling first autumn leaves, the occasional acorn dropping, the soft late afternoon light told me to take dictation. The place was writing back to me, but no wonder. We are in reciprocal relationships with the land and sky we listen and speak to over time.

“You never left us. We never left you. You never leave us. We never leave you.” This, in so many words, is what I heard and recorded. It chimed through me as truth, helping me see that this place was and still is a healing ground underneath it all (and there’s a lot of “it all”). It turns out I only left a job because it’s impossible to actually leave what’s embedded in you.

Since then, I’ve been thinking of a Mary TallMountain poem I love, “There Is No Word For Goodbye” (which you can see in its entirety here). She writes, “We just say, Tlaa. That means,/ See you./ We never leave each other./ When does your mouth/ say goodbye to your heart?” It doesn’t, and we never leave each other.

For the Love of the Song & the Singer: Remembering Martin Swinger: Everyday Magic, Day 1040

Martin singing to us at my kitchen table (Deb in purple)

Martin Swinger, a virtuoso singer and songwriter, died suddenly in early July, leaving behind his husband (and partner of 35 years) Brian and many broken hearts in his Asbury Park, N.J. home community, and prior to that, central Maine, where he was a mainstay of the music scene for years. But when I think of Martin, I see him at my kitchen table, serenading the then-coordinator of the TLAN, Deb Hensley, volunteers Nancy Hubble and Laura Ramberg, and me as we stuffed folders for the 2014 Power of Words conference.

He was like this: always bringing joy, humor, and the power of music to wherever he landed. He was gifted at helping in multiple other ways too: for the conference, he coordinator participant transportation, helped Deb with many pieces of the conference coordination, and generally brought a sense of peace and homecoming to all of us.

Then again, Martin knew how vital hospitality and art are to this world. He grew up gay in the South, falling in love with music and books of all kinds. In recent years, he went on to be quite decorated as a songwriter, winning many notable big-time contests and performing across the country, even to the delight of the late Pete Seeger and very-much alive Vance Gilbert and John Waters. His seven CDs won lots of well-deserved awards, including from American Song Competition, SolarFest, Rosegarden Coffeehouse and more. Audiences have adored him for decades for his warm and vibrant voice and eclectic blend of Americana, swing and jazz, traditional music, show tune, Klezmer music, and improvisation. Deb and Martin sang together like angels from an enchanted land, including in the group Brio.

Deb says of Martin: “Martin was a true prince of friend to me and to so many others who knew and loved him. He had a heart the size of Mars and talent to match. Frost says, “Nothing gold can stay.” But Martin’s songs will stay. Oh yes they will. And so will his love.”

Martin getting a standing ovation for his spectacular last-minute keynote concert

His generosity extended in other ways: when one of our keynote performers for the conference didn’t show up, Martin graciously volunteered to perform on the spot and for free (although we did extend to him a small stipend anyway). When he performed, he lifted a full house of conference goers, who had been waiting a while for the keynote, to their feet with original songs such as “Betty Boop and Buddha,” “Consider the Oyster,” and my favorite, “Little Plastic Part.” That song, about how breaking a tiny part of a vacuum that “makes the whole thing work” speaks to having a little part of our heart broken so that it doesn’t work anymore.

I can’t help thinking about how Martin himself was a little vital part with a big impact himself.

Find more about Martin here, and you can see him perform live on Youtube here. This post was published on the Transformative Language Arts blog.

Loving and Leaving Goddard: Everyday Magic, Day 981

My first group of students in 1996

Arm-in-arm, Vicky, Eduardo, Ralph, and I walked down the snowy country road, belting out “Walking in a Winter Wonderland” and doing wheelies backwards and forward in the heavy-falling snow as we laughed. It was well past midnight, probably around 1997, and I was in love with my colleagues, students, and teaching at Goddard College, where students designed their own curriculum based on what they felt compelled to learn for their communities and souls. I was sure that I would teach here until I was well past retirement age.

A few days ago, I signed, scanned and sent in my final paperwork to be formally “separated” from the college, and although I had been planning this leap from what I loved for many months, I was surprised by the panorama of emotions that engulfed me in sadness, strangeness, and something beyond naming.

Ruth, Katt and behold! A cow!

Last January, insomnia took me up the mountain of making this decision until I realized it was time to come down on the side of leaving. The urge for going began over a year ago when an economic crisis at the college, coupled with my exhaustion from teaching for 64 consecutive semesters, led me to go on leave. Then the dreams, as some of my readers know, began: dreams of following retired faculty into the woods, dreams of walking away from the college in the middle of the night, dreams of saying goodbye to staff and faculty while wearing raccoon make-up. I would wake up, argue with my dreams that I loved Goddard too much to leave, then the next night, another dream kicked my butt.

A handsome group of graduates at graduation

The dreams didn’t come out of nowhere (as dreams rarely do): my body had been singing, signing, and whispering its leaving song for a while. I rarely went to a 10-day residency, bracketed by 12-hour travel days (and that was only if everything went according to plan) without coming home sick, then struggling for a month or two to reach equilibrium. I grappled with living mostly in Kansas but, close to four weeks each year and longer in my dreamscape, in Vermont also.

I also heard something else calling my name: growing Transformative Language Arts, the MA concentration I started and coordinated at the college since 2000. I believe in paying attention to signs and wonders that nudge us toward our real work, and although I had been able to balance teaching half-time plus doing administrative tasks at the college with facilitating writing workshops, my own writing, and coaching and consulting work, that balance was changing. I felt compelled to develop new ways to help people write and witness the guiding stories that showed them their real work, truths, and strengths.

With Gayle, the first Transformative Language Arts graduate

So I made the leap. The timing was good as the college needed to reduce faculty in alignment with student enrollment, an unfortunate problem facing multitudes of small colleges lately. As I told people and amplified my wishes and ideas for evolving work, I found some new inroads and a whole lot of support. I also tripped into new ways of seeing my work and life by virtue of — surprise! — being diagnosed with eye cancer in late April, then going through treatment, and now recovery. Nothing like a whole lot of illness and healing to land a person in a new place in life!

As I move forward, regaining blurry but increasingly larger windows of vision in my right eye and in my sense of what’s next for me, I look forward to what I’ll see and be called toward. At the same time, I wanted to pause here to honor all that I love about Goddard: sitting with a student at twilight in my office as we puzzle out her study plans until she bursts out laughing and crying at once in relief because she now knew what she wants to do in her life as well as semester. Or singing “Salaam” though the thin walls of our offices with my colleague, the Rebbe Lori, before we scooted out to swim in the freezing-cold waters of the quarry between meetings and dinner.

The faculty at dinner with some friends

I loved rehearsing with the faculty for our cabaret act, the Goddard College Dryland Sychronized Swimming Team, while fellow faculty member Katt kept calling out, “Now remember. We don’t want to over-rehearse” although we only had one 10-minute rehearsal.

I loved walking the wooded  road from the dorm village to the library alone or with students, joking about how the wind in the trees was transmitting magic. Or those solo walks across the now-gone (due to a storm) the forest’s Wabi Sabi bridge after a long day of faculty meetings.

Winter happens

I loved the Wednesday morning field trips each faculty member could take with their students, especially the one where Ruth, our program’s director, joined  my six students and me in the Goddard van for a wander day in which we simply aimed ourselves whatever direction we felt compelled to go. Of course, we ended up at a remote Buddhist center where we fell under the enchantment of the bells.

I loved the quiet moments in the residency cabarets when someone got up to sing, tell a story, dance, or play the piano publicly for the first time, took a breath with all of us, then began.

I loved the summer meteor showers even when, lying on a bedspread next to a dorm with a bunch of faculty, we could barely see the sky through the trees. I loved the winter nights when the snow sparkled in kaleidoscopic ways I’ve never seen anywhere else, and I adored the ways the firs and pines dropped snow from their branches in seemingly slow motion.

Just another faculty meeting

In the here and now of this Wednesday evening when my former colleagues are at the college for a residency, I watch my shadow self sitting in a dorm room, as I would be doing if I were still a faculty member, a stack of student papers to read and a day of meeting ideas still swirling in my head. I tell her it’s time to cross that Wabi Sabi bridge of love and memory to the here and now of where I live. The rich Kansas night air — packed with the music of katydids, cicadas, crickets, and humidity — stirs me home. I am grateful for all of where I’ve been and for wherever I’m landing.

To see more of my new work and perhaps even jump in and support me — you get cool perks, a 40-page writing guide, and weekly inspirations in return — please see my Patreon page.

Nine Reasons to Give a Little (or a Lot): Everyday Magic, Day 978

One of the beautiful cards with Stephen Locke’s photography for patrons

As many of you know, I’m leaping from my day job of college-level teaching to creating more transformative writing, community-building writing workshops, and a podcast series on the power of words. I’m also asking for your help in supporting this leap. Here are nine reasons to consider being a patron through Patreon, a great online platform that helps writers, artists, innovators, and others do cool stuff in the world. You can see more here.

1. Perks: You get a signed book of your choice, gorgeous greeting cards with Stephen Locke’s photography and my poetry, and even a poem I write for you for a beloved.

2. Weekly Inspiration: All patrons get a post every Friday with something to spark creativity and magic in your life, art, and work, such as “The Care and Feeding of the Artist,” a podcast poetry reading, and tips on inventing your own inspiration.

3. Poetry Party!: Every time I cross the $100 mark each month (and we’re really close to another crossing), patrons get to call out (via the Patreon site or emailing me directly) words you want me to weave into a spontaneous poem I make up on the spot, record, and share with you. You can also watch the often hilarious and sometimes moving past poetry parties.

4. Satisfaction: Doesn’t it feel good to help someone live their dreams? Patrons get the satisfaction of knowing they’re helping me follow my calling.

5. Making Good Things Happen: Your contributions help me create new writing, workshops, and a podcast series (to launch this fall) on the power of writing and witnessing our truest stories.

I dress up a bit more than for the Poetry Party!

6. Ease: Becoming a patron is simple: You just click here, follow the directions, and within a few minutes, you’re in.

7. What a Deal!: For as little as $3/month, you can be a patron. Also, those little payments are easy to swallow each month.

8. Your Fellow Patrons: I’m not exaggerating when I say my patrons are exceeding passionate, innovative, and soulful change makers in this world. Come hang out with the cool kids;

9. The Power of Being a Patron: You don’t have to be the Bill and Melinda Gates Foundation to support the work you love. You have the power to do that right now. Just wave the magic wand of your credit card over the Patreon page, and there you go!

What’s Right Livelihood Got To Do With It?: Everyday Magic, Day 966

I’ve been passionate about how the way we make livings speaks, argues with, or sings loud and proud through our lives. My first degree was in labor history because of how I was innately drawn to the often messy dilemma of work and life, and no surprise that over the years, I’ve returned to this question, especially when, decades ago, I stumbled across the Buddhist term “Right Livelihood.” I just wrote a piece on this along with callings and some ways to follow the work we love into fruition, published this morning on Medium — “Six Ways to Find the Work the You Love,”  that I’m sharing the link to right here.

What I wrote and what I’m living and learning is also very related to the Right Livelihood Professional Training I led for the first time last year with Laura Packer — the photo here features some of the cohort group in that training, meeting at the end of our intensive four months at the Power of Words conference at Goddard College in Vermont. This year, we’re doing it again, and I’m sharing the Medium article to help get out the word because of how much I believe in aligning ourselves with the work that calls to us.

Speaking from too much experience, I keep learning how not following the path we need to make (often by walking it) can lead to all kinds of soul chaos. I’ve left jobs and careers that didn’t work for me or made me sick or just felt all kinds of crazy-wrong, from working as a reporter to grassroots organizing to leaving volunteer positions that went against my values or wiped me out beyond exhaustion. I keep returning to the drawing board, literally lately as I’ve taken up drawing again (but that’s another story for the future) to find the what of the what, and I’m guessing this is a frequent-flyer endeavor for life. A calling, as I wrote about in the Medium article, is a lifelong conversation with lots of surprising dialogue behind and ahead.

Whatever our work is — whether a paid job, a bunch of gigs, volunteer and service work, making art or home or something of meaning — runs through the core of why we’re here. So let’s keep recovering, uncovering, and discovering that big and beautiful work of the soul!

P.S. Laura and I are doing Life and Livelihood Small Group coaching on March 23 — just 10 bucks for 90 minutes of asking your questions, discussing the curves and angles of how we find and make our best work, and meeting new friends. Details here.