“Three Walking Songs for the Night”: Everyday Magic, Day 1056

Going from winter (otherwise known as much of April) to summer (disguised as May this year) has plummeted many of us in Kansas into the high humidity of late summer, chiggers and thunderstorms and all. While determined to work outside on this porch as much as I can — ceiling and floor fans swirling and iced water flowing — I’m hot, sweaty, shaky, and a little stunned. It feels like those breezy spring days full of blossoms galore and chilled good sleeping weather have been climate-napped away. But then we live in and do well to acknowledge the extremes wrought by life and global warming.

No season leaves us without gifts, however, and lately, the mid-90’s day temperatures dissolve into those luscious summer nights that I also live for. Walking on deck or down the gravel drive each night (lesson learned from this weekend: don’t walk in the grass without protection because the ticks and chiggers are fierce), I’m reminded of how much I love strolling through summer nights. Like most things in language, a poem shows that better than I could explain, so I dug out a small set of poems I wrote some years ago over the course of many summer nights. This poem (along with many others) appears in my book, How Time Moves: New & Selected Poems.

Three Walking Songs for the Night

1.

I walk across a field. No more destination,

journey through or over water.

No more dreams of arriving.

I’m here, overlooking a small slope

that leads nowhere. Leaves drop out

of the wet branches. The field eats them.

A fox. Then the sky turns itself

like a clever hand this way and that,

blocking or letting through the moon.

Sometimes rain falls. No matter.

The animals come anyway.

When it clears, I lie on the fallen grass,

look at the brave sky,

and tell myself, “shut up and trust that.”

2.

When I wake in the dark, I will go to the forest

with no flashlight, and walk slowly, afraid,

letting my feet make out where next to step,

waiting for what’s hidden to let me into its hiding.

No longer dreaming of his hands cupping my head

tenderly, I will just walk in, feeling only

where to land, the noise of the running world no longer running,

the tree frogs cupping their motor song over

the motor song of the cicadas, the brush of branch

on branch, the owls a broken harmonic.

Oh, dream of being loved so perfectly,

Oh, dream of forgiveness,

Oh, damp moon in a pool of clouds,

wide stillness of nothing that we call sky,

now, please let me be brave enough.

3.

I was afraid most of that year.

No particular reason.

Just the rush of old air through my lungs

as if it had nothing better to do.

I’d wake a lot at night, puppy diving

after the kitten, the baby nightmaring

right into the center of my good dream.

I’d wake for nothing also,

sit up, climb out of bed, walking the house

to prove to myself there was no reason

to be afraid. I mean, look at that moon

carrying itself branch to tree branch.

Look at the indentations the wind makes

of its body in the grass.

See how round the earth is,

remember how many animals sleep

hidden like prayers in the tall grass.

See the open mouth of the sky, the shifting of stars

across the throat of the universe,

this time in its slot actually happening.

The Quiet In-Betweens: Everyday Magic, Day 1055

Sometimes I feel like I’m at a sudden still point between waves of motion and change. Like right now as I sit in a floral chair in my living room, staring out at the just-cleaned kitchen counter and still-stuff-piled-on kitchen table while the dog sleeps in the corner and the cat sleeps in her clementine orange box. But of course the whole notion of a still point is just a notion. Life is famous for tossing one damn thing after another at us, but beneath all the damn things, everything is always in motion and all is perpetually changing.

Still there are these in-betweens: the wisps or room fulls of spaciousness that, as I get older, feel more real than the packed whirls of activity and action. Pay attention, I’ve been reminding myself for years. Cherish this.

It is easier to talk about what surrounds the in-betweens because that kind of stuff has names and lots of language to delineate it from the unscheduled, the quiet, the open-palm time that’s also on tap. For the last few weeks, I could speak of oral surgery, Passover, eating a Havana chicken sandwich with a friend, walking across the field with Moxie the dog, loading the dishwasher, opening the mail. I could point to wonders around me: the first budding lilac, the light on the porch in this photo, a great breakfast of Matzo Brei (friend matzo, likely an acquired taste), and the cool joy of cold water when I’m thirsty.

But to speak of the in-between is to speak in between language. Then again, that’s why we have poetry. “Language does what it can’t say,” William Stafford once wrote, and he also wrote something in his poem “Bi-Focal” that I continually ponder about the world happening twice: “once what we see it as;/ second it legends itself/ deep, the way it is.” Maybe the in-betweens are when we catch up with life as the way it is more than the ways we name or see it. There’s grace in such meetings.

Then again, maybe it’s in-betweens all the way down to and past the last breath of our life. One of my favorite Emily Dickinson poems, which begins with “I felt a funeral in my brain” (none of her poems were actually titled by her) ends with these lines:

And then a Plank in Reason, broke,
And I dropped down, and down —
And hit a World, at every plunge,
And Finished knowing — then —

That word “then” and the long dash are both in-between things pointing to what happens when we finish knowing, and then —

The Call: Everyday Magic, Day 1057

Why a sunflower? Because it’s what blooming right now, and it follows the call of the sun, which is loud and blaring too.

This morning, I gave a short talk at the Lawrence Jewish Community Congregation’s Rosh Hashana service on Shafarot, a calling to live with greater awareness and purpose, to examine what we need to change or release or summon our courage and strength to do, and to be more of a mensch. I ended up, no surprise given the subject matter and how I grapple with things, writing this poem.

The Call of the Shofar

It is not just the old call in the bones

and quiet of memory, the temple

falling, the exiles returning,

the temple rebuilding itself

through our hands and acts, the readying

of whatever clearing—right outside

our front door on a hot September afternoon

—welcomes the presence of what

we cannot name but names us.

The call of the shofar is a question,

staccato as cicadas or long-necked arching

into the sunset tonight. What is here?

It asks. Who? We might answer,

or just as misguided, Why?

But all such music—part animal,

part wind, part invisible, part visible

even if we miss it—is always

a conversation. Did you hear that?

Each inhalation a slip of sound

we finally grasp, Each exhalation a surrender

to how little we know, especially about

the confluences of our own voices so far

behind us, around old bends that shape

our hours now, so far ahead of us into

the chatter of babies or birds, the rush

of storms through the fields of the future,

the sound of the shofar running

or stilling itself like water,

like this river of life.

Lightning maybe. Thunder.

A flash of clear blue again. Quiet.

Then the call and response we are made for:

Let your old temples fall.

Raise your eyes. Return.

Listen. Listen Listen.

10 Reasons to Come to Brave Voice: Everyday Magic, Day 1045

Kelley Hunt and my 16th annual six-day Brave Voice, Sept. 19-24 in Council Grove, Kansas. We have strong Covid protocols in place to keep everyone protected (all participants must show proof of vaccination, we’ll be spread out and will use masks for big group meetings), and the White Memorial Camp is also very committed to keeping us all healthy and safe. Everyone you need will be right at the camp too, including delicious, healthy meals (with vegan and vegetarian options).

Why should you join us at this retreat? Here’s some reasons:

  1. Magic: Yes, there is real magic, and it happens when you get a group of people who love to create — write, sing, make art, or just dip their toes into any of it — together in a sacred and relaxing place, mix in vast vistas of the lake and surrounding hills, add excellent food and deep sleep, and let everyone find their own best answers.
  2. Rest: There’s something about being away from home, surrounded by water and prairie, big skies and gentle breezes (with an occasional good rain) that makes for good sleeping weather. Plus, we hold open afternoons for people to create, wander, explore, collaborate, or take naps.
  3. Perspective: We all need to step out from the ordinary noise of our daily lives and see who we are now and what we have to say to ourselves and others from a new vantage point.
  4. Courage: Brave Voice is a courageous place where people are daring to create and listen to their hearts’ songs. Just being in that space give us back more of ourselves.
  5. Community: People make friendships, sometimes even for life, here. We witness each other, listen carefully, and find clarity and connection in community.
  6. Music: We sing, we’re sung to, we listen, we explore (no one has to sing alone or even sing at all), and oh, Kelley Hunt does a private concert for us!
  7. Writing: Writing is a way of knowing what’s true for us and what no longer holds water. In listening to each other, we find our way to our own strongest words and truest stories. I also do a private reading just for us.
  8. Surprises: The happy kind of surprises abound — maybe fresh pineapple or a new song (even if you’ve never written one), maybe a shooting star, a wonderful dream, or a double rainbow. Expect to be surprised in good ways.
  9. You: Coming to Brave Voice brings you home to yourself even more, and hey, don’t you need a great retreat right now?
  10. Flash Sale: We’re having a special sale to make Brave Voice more affordable for you right now — Aug. 18-22. Come visit our registration page here for the details of how to save close to $100.

Find out more at our website right here.

Writing With Wildlife: Everyday Magic, Day 1013

“Hello, are you writing about me?”

I just returned from writing poetry on the porch at the Writers’ Colony at Dairy Hollow to write poetry on the porch of our place. Being outside continually jolts me out of my inside-mind with its cast of thousands to make space for other beings who, if we just pay even a small smidgen of attention, will mosey on, fly, charge, or buzz through.

At Dairy Hollow, the most dramatic of these guests — although actually I was the guest in their home — was a young buck, racing about four feet from me on the other side of the porch railing. He was young, strong, handsome, crazy-fast, and once he got past the house, curious. But then I find a lot of the deer and other critters in Eureka Springs all-too-acclimated to humans, pausing easily in their grazing or romping to take us in, shrug their shoulders, and return to the grass or the path. The buck also seemed quite content to engage in a long photo shoot with me and my phone, posing with his perfected aloof-but-handsome gaze.

The next night, a slim fox stopped in her tracks just across the street. “Hello,” I said quietly. She seemed skeptical and slowly merged into the trees nearby. Dozens of brown morpho butterflies — often tinged in their middle with turquoise melting to brown — titled their dark wings on one diagonal or another into the low and high flowers to drink their lunch. There was also a bird I couldn’t see and had never heard before scream-chirping at me at regular intervals, so insistent and so loud that I would leap out of my chair to scan tree tops trying to see where this alarm was coming from. By the time I left Arkansas, much of this menagerie had made its way into the poems I was writing or revising.

Back home, it’s hummingbirds, monarchs, and at night, barred and great horned owls. At dusk, the changing of the guard from cicadas to katydids. Of course, there’s a lot of other wildlife here I try to avoid, namely Mr. Chigger, Ms. Tick and Overlord Timber Rattler. There’s also the somewhat domesticated wildlife — two sofa-like dogs who spread themselves out on the porch while I work, and a small pouncing kitty. At times, it’s a precarious balance; just last month, we lost our beloved big cat Sidney Iowa to what we suspect was an itinerant cougar. The packrats have discovered that their favorite food is it the innards of Ken’s Honda Fit although they also enjoy chewing apart every rat trap he sets for them. So we have to be watchful as well as budget a lot for automotive electric repairs.

In the balance, I know how lucky I am to draft, sketch, compose, revise, re-compose and otherwise inhabit poetry while co-habitating with the critters who live here. They continually nudge me out of my human-centric view of the world and show me the real ground, teaming with all manner of the wild we can’t even see most of the time. Here, even and especially as so many species are going extinct, is where we truly live.