Kelley Hunt and my 16th annual six-day Brave Voice, Sept. 19-24 in Council Grove, Kansas. We have strong Covid protocols in place to keep everyone protected (all participants must show proof of vaccination, we’ll be spread out and will use masks for big group meetings), and the White Memorial Camp is also very committed to keeping us all healthy and safe. Everyone you need will be right at the camp too, including delicious, healthy meals (with vegan and vegetarian options).
Why should you join us at this retreat? Here’s some reasons:
Magic: Yes, there is real magic, and it happens when you get a group of people who love to create — write, sing, make art, or just dip their toes into any of it — together in a sacred and relaxing place, mix in vast vistas of the lake and surrounding hills, add excellent food and deep sleep, and let everyone find their own best answers.
Rest: There’s something about being away from home, surrounded by water and prairie, big skies and gentle breezes (with an occasional good rain) that makes for good sleeping weather. Plus, we hold open afternoons for people to create, wander, explore, collaborate, or take naps.
Perspective: We all need to step out from the ordinary noise of our daily lives and see who we are now and what we have to say to ourselves and others from a new vantage point.
Courage: Brave Voice is a courageous place where people are daring to create and listen to their hearts’ songs. Just being in that space give us back more of ourselves.
Community: People make friendships, sometimes even for life, here. We witness each other, listen carefully, and find clarity and connection in community.
Music: We sing, we’re sung to, we listen, we explore (no one has to sing alone or even sing at all), and oh, Kelley Hunt does a private concert for us!
Writing: Writing is a way of knowing what’s true for us and what no longer holds water. In listening to each other, we find our way to our own strongest words and truest stories. I also do a private reading just for us.
Surprises: The happy kind of surprises abound — maybe fresh pineapple or a new song (even if you’ve never written one), maybe a shooting star, a wonderful dream, or a double rainbow. Expect to be surprised in good ways.
You: Coming to Brave Voice brings you home to yourself even more, and hey, don’t you need a great retreat right now?
Flash Sale: We’re having a special sale to make Brave Voice more affordable for you right now — Aug. 18-22. Come visit our registration page here for the details of how to save close to $100.
A year ago today, pacing an empty parking lot, I cried so hard on the phone with my friend Kelley that it was hard to get the words out: “I have cancer. In my eye. I’m so scared.” Ken was racing back from Topeka to meet me after my two hours of scans at the ophthalmologist’s office. My right’s eye blurry eyesight wasn’t a minor glitch in this body’s solar system, but a large asteroid crashing through whatever semblance I had of calm, whatever thoughts I had of being safe.
Thus began my personal pandemic with its the customary WTF? phone calls, bouts of fear storms, and a lot of clearing of the calendar. The next day was far worse when my new ocular oncologist said it could be a melanoma but it was more likely a brain tumor. “Let’s hope for the melanoma then,” I said. She shook her head, “They’re both bad!” The interim between that moment — a few hours of more scans in between pacing the waiting room with Ken and my brother Ravi — and the oncologist confirming it was a treatable melanoma was terrifying. But when we got home that day, the sky took on a new sheen: a rainbow to the east, and it was enough.
I thought my life would be briefly interrupted and not changed all that much, but just like my breast cancer road trip 17 years earlier, it took many months and knocked over many plans, notions, and habits. I would have many more scans and tests, a radiation implant in my eye that would require two major surgeries, and a whole lot of time enveloped in hurt and anxiety. That summer, I hardly left the house except to visit a doctor or my therapist, donning two pairs of sunglasses and often a towel over my head because light hurt (obviously, I wasn’t driving). Eventually, I healed, and although my right eye is far past legally blind and I still can’t open it completely, I’m okay. The changes put in motion are still unfolding, and that’s okay too.
While the word “pandemic” refers to a global epidemic, for me and for any of us who go through such mortality-laced journeys, it sure felt like my whole world was in crisis. To ensure healing and safety, I was in home lock-down much of the time. The economy of Caryn World also tripped into the ground and stayed there for a while with lost income and, even with decent health insurance, thousands of dollars of medical bills. But lucky for me — and lucky for all of us right now — I could choose to surrender to what I needed to do based on the best science and medicine available.
Yes, a global pandemic is unprecedented in our lifetimes, but most if not all of us have lived through the world as we know it dissolving under our feet in a flash. Having the rug pulled out due to serious illness, death, heartbreak, and all manner of other very human challenges is part and parcel of being alive. We think we’re living one story, and poof! Suddenly, it’s a good thing to have erasable gel pens for your calendar, some savings, and the ability to make good things out of our friend, the potato.
This comes home to me lately on Tuesday nights when, through Turning Point, I facilitate writing workshops for people living with serious illness. I started doing these workshops 18 years ago, fresh out of cancer #1, although now we’re meeting through Zoom instead of in-person. A little like a warped futuristic vision of the Brady Bunch, 18-21 of us write and listen our way to greater meaning, strength, and mutual understanding. Some are finding new ways to bake chocolate tortes, some are summoning the strength to get out of bed while irrevocably heartbroken by the loss of a spouse, and some are dealing with chronic pain or what bad news might be just around the next blood test or MRI.
We’re well-accustomed to the land of the personal pandemic, and a good many were unfazed by stay-at-home orders, which we’ve had to enact before for a few months or as a way of life after losing some of our immune system’s robustness or our body’s mobility. We know what it is to eat resilience for breakfast, aiming ourselves toward outlooks and activities that tilt open the door to some calm, some comfort, some joy. “Yeah, I don’t go to the store anyway,” a woman with a neurological disease told us. “I’ve hardly left my house for years,” someone else chimed in. Over years of living with illness and/or being a caregiver for a patient, many have learned how to “use it up, wear it out, make it do, or do without,” to quote Boyd K. Packer. No wonder we find great intrigue in the antics of squirrels or birds, growing flowers, baking bread, or other everyday resilience practices, readily available as we cross over the threshold of one room to another.
But it’s not just what people do in a personal pandemic: it’s very much how they frame the narrative, including the low dips, of their experience. Someone I’ll call Lulu has minimal energy because of her aggressive cancer, so she’s determined to make the best use of her time and energy left, using it to talk lovingly with her family and make special surprise boxes for her husband and daughter to find after she’s gone. “Bill” goes to his porch to breathe through the pain, focusing his attention on cardinals fighting it up in aerial dances. Lou (who has given me permission to use her name) wrote a book about her Vietnam nursing experience, where she was exposed to the Agent Orange that planted Parkinson’s in her; now she regularly speaks to veteran groups and community gatherings in between gardening and grandmothering, even if she’s a little off-balance some days.
This day, a year after my last personal pandemic showed up, we’re in the middle of a global pandemic, seven weeks in lockdown, but I take note of how many doors are still open, like one leading outside, where I plant some lilies or the door to my car which I can drive well enough with one eye to meet friends for socially-distant walks. As time passes, I even cross the threshold of not seeing my eye adventure as a loss because I keep learning how in any pandemic — personal or global — we have the ability to grow magic eyes that let us see our small worlds or the world-at-large in new ways.
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Late last night, as I sent my novel Miriam’s Well to my wonderful publisher, Steve Semken of Ice Cube Press, I reworked a summary of this 500-plus page book that’s been at the heart of my writing life for 13 years:
In this modern day retelling of the biblical story, Miriam wanders the political and spiritual desert of a changing America, torn between her roots as the Jewish daughter of a Black father and white mother, her yearning for home, and her brothers, Aaron, a successful New York City attorney, and Moses, a Kansas autistic artist. An astonishing cook and singer, Miriam has a knack for showing up to feed and help people at at landmark events, including People’s Park during the Summer of Love, the Wounded Knee encampment in South Dakota, the AIDS epidemic in San Francisco, the Oklahoma City terrorist attack, 9/11, and Hurricane Katrina. As she seeks the promised land, she shows her people, and eventually herself, how to turn the chaos and despair of our times into music, meals, and meaning.
This morning, waking up to the first day in the many years when I wasn’t finishing this book, I realized, that for all intensive purposes, the Miriam of my imagination is done wandering the desert. I got off easy compared to biblical Miriam’s 40 years of wandering, after which she never even got to the promised land (at least in that telling of her life). I’ve gotten lost, and eventually found, in many sentences in the writing and revision of the book, thanks to my tried-and-true process of writing what Anne Lamott calls “shitty first drafts,” then reworking my words for eons. I’ve read the in-process book in entirety aloud to Ken twice, and parts of it to Brave cialis 5mg no prescription Voice participants occasionally, but from here on, the “in-process” part of the process is finished.
It’s a strange feeling to complete a big book that takes everything you think you can do, and asks of you to do more and go farther. So many times, I couldn’t figure out how to develop a scene, flesh out a curve in the plot, or show, with greater transparency but still enough mystery, who a character is. As I tell my students and workshop participants, sometimes you just have to tell yourself you’re not just smart enough to write something at the moment, shrug it off, write something else, then return to the page. Also, writing is a way of knowing: my hands on the keyboard had led me often to language that was far beyond me thinking into words.
Now I’m sitting on the porch in the rain during a morning thunderstorm, reminding myself I don’t need to rework something in the book that I loved writing so much. Despite the glory of being finished, I’m sad. Then I remind myself: I’m only leaving the writing of it. I’ll be doing readings from this novel for anyone who will listen for years, and I’ll be talking at length about its nuances, and what might happen to Miriam after the end of the novel (although I wish I fully knew). Of course, there will be many more times to proofread the book, even after the advance copies are printed and distributed this fall in time for us to garner some reviews for a Passover 2018 release date.
In time, just like Miriam, I’ll be done wandering, and in the case of such a long-term project, wondering how to shape each paragraph, lift and close each chapter. Miriam will find her next story, and so will I.
You can drive a long way in Kansas and never leave the state, like 340 miles west from my home to western Kansas, and still be a ways from a state border. That’s just what I did to give a Kansas Humanities Council talk on wild weather in poetry, photography and our lives at one of the great community jewels-of-a-library, Pioneer Memorial Library (astonishing array of programs for all ages, and even a coloring night!)
The trip was fueled by coffee, of course, plus, because I’m trying to give up my M&Ma-and-Cheetos road trip habits, an entire box of Nut Thins (don’t judge me), hummus, a perfect Pink Lady apple, and an over-ripe banana. Getting over a cold necessitated a lot of over-the-counter meds and turmeric interspersed with those great Ricola cough drops. Between miles 107 and 200, I believe pretzels were involved while blasting podcasts of “This American Life” or singing loudly to “Now I Have Everything” from Fiddler on the Roof.
I love the open road, and there’s few better ways to experience it than to drive to western Kansas where the locals consider it a little jaunt to go 50 miles, and where the sky widens and deepens all directions. The traffic is often non-existent, and it’s easy to get lost in all that open space, speed, and splendor of sky. I also love western Kansas where my mind relaxes, and the air is brighter, cooler, and often clearer.
The downside of losing track of things is that, instead of remembering to fill my tank in Hays, I got too caught up a podcast about a prison nurse falling in love with an inmate. Just as my caffeine- and cold-medicine-induced panic was about to rise, I saw an exit leading to a clearly abandoned gas station. The sign had been hollowed out from years of wind, and the building’s windows were whitened from the inside to block out viewing. But something cialis no prescription next day told me to take the exit, where I found a red sign that said “Credit Card Pumps.” I pulled out my credit card, and took my chances. When the gas started flowing, I lifted my arms to thank the god of abandoned gas stations.
But then, when a person is lucky, that’s what expansive travel can be. “Ask and it shall be given” came true for me throughout this little jaunt, such as when I realized I desperately needed a bathroom, and lo and behold, a rest stop appeared, which I had never noticed in the 213 times over 30+ years I’ve done this drive before. Or dinner, which can be dicey in rural communities on occasion when the only restaurant open is a gas station that sells stale pizza. I lucked out with one of the best Midwestern official fried chicken dinner (which always includes mashed potatoes, corn, and a roll) at the Welcome Home cafe (dinner also included a superb salad and fruit bar).
Wanting to stretch my legs after filling my belly, I wandered near the restaurant, which was in a kind of antique-mall-meets-strip-mall-meets-car-dealership, and I came up to what we know in Kansas as Wheatus Jesus, the haunting billboard I’ve seen from 75 mph for years but never stood beside. It’s very impressive, and so is the big field nearby at sunset. Right there, for a reason I couldn’t fathom, there was platform overlooking the field, but the steps to it were blocked by big pots of cherry tomatoes in the middle of a sunflower forest. I was going to climb the stairs to the forbidden platform, but my first step in set off some growling creature, so I jumped back just in time to remove a bunch of sticktites.
Now I’m home, the miles behind me, and the quiet of home all around me. Once again I’m glad to be home, but I’m also glad to have gone.
My posts are fewer and further apart at the same time that I’ve been thinking about this blog more than ever. That’s because I’ve been working on Everyday Magic, the book based on this blog. As with most things, it’s more work than I imagined, but a lot more fun too.
The first phase was wandering through over 900 blog posts to figure out what top 250 or so posts should make it into the book. Given the limits of what my mind can hold, let’s just say there were charts, lists, categories, earnest struggles between ego and what makes for perhaps better reading, then most lists and charts.
From there, I moved to revision land, a place many roads and bike trails lead to, but few seem to lead back out again. Revising a piece of writing is like weeding a vegetable garden so large that by the time you get from beginning to end, there’s been a monsoon and invasion of rabbits. What you thought was there is long gone, and what you cleared is now suffocating the once towering broccoli. Commas invade or seem to run off together in a huff, and then there’s the surprise gaps between sense and nonsense. I also wanted to find a good balance of funny and tender, hot and cold (literally with so many posts on weather), grief and joy, charged news of the day and breezy observations of a sweet evening.
Once I finished with that — although finishing is always an arbitrary moment a writer lifts her hands to the sky, and says, “enough….I think” — it was proofreading time. Thanks to my friend Rosalea, I relocated the herd of commas as well as easing out excessive bouts of verbiage. Punctuation can be illusive, people, so be on the watch. It’s also amazing common to type the word “the” as “the the.”
Now the book is with my publisher, Tracy and her fine Meadowlark Press, where more proofreading is surely a thing, then design, proofs, galleys, and hopefully enough time and clear eyes on the pages to catch what needs to be caught. Eventually this fall sometime, the book moves out of my house and into a dorm room of its own, hopefully remembering to go to classes and stretch its legs into its new life.
There’s also been an adventure in revisiting the stories I tell myself and obviously you, the kind and patient reader. While there have been moments when I had to hit my forehead with my palm, despairing that I’m still hung up on the same meaningless crap (will I ever completely give up of yearning to lose weight?), there’s also been ample revelations about how outrageously blessed I am to be part of my family, community, the prairies of Kansas, and at this moment, the woods of Vermont that I’m sharing at just above the top of this computer. So thank you, thank you, thank you.
P.S. I’m still searching for a subtitle for the book. If you can help me figure one out, I’ll send you a free book once it’s out. Contenders currently are the following. Please feel free to say which you like, and/or to suggest other subtitles.
Everyday Magic: Fieldnotes on Ordinary and Extraordinary Curiosity, Beauty, and Surprise
Everyday Magic:: Fieldnotes on Curiosity and Charm in Life’s Wild Tumble
Everyday Magic: True Stories in Search of Curiosity and Wonder
Everyday Magic:: Living with Beauty, Verve, and Surprise
Everyday Magic:: Curiosity, Beauty, and Surprise, One Blog Post At a Time
Update Aug. 31, 2018: Thank you everyone for your great suggestions! I’m going to go with Maril’s subtitle, which is pithy and comprehensive: Everyday Magic: Fieldnotes on the Mundane and the Miraculous.