Force of Nature Day (Which is Actually Everyday): Everyday Magic, Day 1058

Sunday morning just before the storm hit, photo by Stephen Locke

Yesterday began with running outside in our pajamas to cut irises as fast as possible while 70 mph winds and a giant thunderstorm descended. The day ended with a full lunar eclipse’s red moon. Some days are like that – force of nature days when everything seems to happen with such power, art, soul, and amazement at once that it’s clear we are not in charge. Ultimately, life is like that, and often it’s too easy to forget.

I write this from Brave Voice, the 17th annual retreat I lead with singer Kelley Hunt in the Flint Hills of Kansas. The irises were to vase up and distribute throughout the camp in each of our cabins and in the main lodge where we meet to write, sing, listen, collaborate, and dwell in wonder together. The storm made driving from home to Council Grove lake, where the camp is, more than interesting, Kelley at the wheel and Ken on the phone tracing our location with radar to warn us when we might need to pull over and wait out the downpour. The eclipse happened for most of of us in this area with clear skies that darkened to pop out the stars even more so, the Milky Way dazzling as it arced across the night sky.

Yesterday we went from the deadly and dramatic to the sublime and rare, but actually, even more ordinary-looking days are much the same. The earth is at the wheel despite humans making so many species, including ourselves if we continue on our current trajectory, extinct. When I see headlines or catch snippets of conversations about how we’re killing the earth, I bristle at the language because this big rotating planet will survive, perhaps in a state that barely supports life as we know it long after we’re gone. But the earth is like the Dude: it abides. It’s been here long before fish-like creatures crept out of the water and learned to breathe air and evolve into so many other species (including us), long before ice ages and continents breaking apart (and aren’t we all still in motion?), long before bipeds were just glimpsing how to measure out units of time to support the hunt or remember where to return to harvest what grows underground.

Big winds, red moons or not, each day tilts open the force of nature that is us and that is. Like right now when I sit on a porch outside the White Memorial Camp lodge, mesmerized like several others around me by the build-up, then slow-down of bird song. While I watch the rabbit racing the sun across the field, the cardinal landing to look for dinner, the oak tree moving its tentative fingers in the same wind that covers half my face with my hair. The open blue sky, so vast and mutable, is a constant force of nature and so is all it holds, even us if we’re brave up to speak and act for this beauty persistence that just wants to live.

“Three Walking Songs for the Night”: Everyday Magic, Day 1056

Going from winter (otherwise known as much of April) to summer (disguised as May this year) has plummeted many of us in Kansas into the high humidity of late summer, chiggers and thunderstorms and all. While determined to work outside on this porch as much as I can — ceiling and floor fans swirling and iced water flowing — I’m hot, sweaty, shaky, and a little stunned. It feels like those breezy spring days full of blossoms galore and chilled good sleeping weather have been climate-napped away. But then we live in and do well to acknowledge the extremes wrought by life and global warming.

No season leaves us without gifts, however, and lately, the mid-90’s day temperatures dissolve into those luscious summer nights that I also live for. Walking on deck or down the gravel drive each night (lesson learned from this weekend: don’t walk in the grass without protection because the ticks and chiggers are fierce), I’m reminded of how much I love strolling through summer nights. Like most things in language, a poem shows that better than I could explain, so I dug out a small set of poems I wrote some years ago over the course of many summer nights. This poem (along with many others) appears in my book, How Time Moves: New & Selected Poems.

Three Walking Songs for the Night

1.

I walk across a field. No more destination,

journey through or over water.

No more dreams of arriving.

I’m here, overlooking a small slope

that leads nowhere. Leaves drop out

of the wet branches. The field eats them.

A fox. Then the sky turns itself

like a clever hand this way and that,

blocking or letting through the moon.

Sometimes rain falls. No matter.

The animals come anyway.

When it clears, I lie on the fallen grass,

look at the brave sky,

and tell myself, “shut up and trust that.”

2.

When I wake in the dark, I will go to the forest

with no flashlight, and walk slowly, afraid,

letting my feet make out where next to step,

waiting for what’s hidden to let me into its hiding.

No longer dreaming of his hands cupping my head

tenderly, I will just walk in, feeling only

where to land, the noise of the running world no longer running,

the tree frogs cupping their motor song over

the motor song of the cicadas, the brush of branch

on branch, the owls a broken harmonic.

Oh, dream of being loved so perfectly,

Oh, dream of forgiveness,

Oh, damp moon in a pool of clouds,

wide stillness of nothing that we call sky,

now, please let me be brave enough.

3.

I was afraid most of that year.

No particular reason.

Just the rush of old air through my lungs

as if it had nothing better to do.

I’d wake a lot at night, puppy diving

after the kitten, the baby nightmaring

right into the center of my good dream.

I’d wake for nothing also,

sit up, climb out of bed, walking the house

to prove to myself there was no reason

to be afraid. I mean, look at that moon

carrying itself branch to tree branch.

Look at the indentations the wind makes

of its body in the grass.

See how round the earth is,

remember how many animals sleep

hidden like prayers in the tall grass.

See the open mouth of the sky, the shifting of stars

across the throat of the universe,

this time in its slot actually happening.

Love and Death in February: Everyday Magic, Day 1050

“Maybe since January lasted for seven and a half years, February will be easy,” I said to my friend Kris. She was doubtful since February, for us and many others we know, tends to be the longest and hardest month. Never mind the 28 days of it, February is notorious for slipping the bonds of time dragging us into a morass of sadness and fatigue, dying and death.

So far so good, I told myself a week ago, but I rationalized too soon. In recent days, we got the news that one of our dearest friends is going on hospice, and the anticipatory grief and very current despair about the rapid meanness of his cancer trips me from laughing to crying on a dime, especially for wife who loves him so utterly. An old friend I haven’t seen in over a decade died suddenly two days ago. Ken’s wonderful dad died on Feb. 10th in 2009, and a year early, our good friend expert pie maker Weedle died on Feb. 12th.

That’s just us, and I know many close ones who have their own string of February impossible losses and big swaths of grief. It makes me wonder, if we have some say over when we give up the ghost, whether the bitter dregs of winter have anything to do with it. February also tends to be when the worst ice storms or blizzards hit, seemingly out of the blue, but maybe it just feels like that by this time of the year. It’s been cold too long, even with global warming and some surprise 60-degree days, yet spring seems far off.

February is the squeaky door that doesn’t close properly between love and grief in real time. It’s a time of year when I see up close how much deep and unconditional love we’re capable of, despite what we believe of ourselves. A friend just posted on Facebook how caring for her dying husband is stretching her to her seeming limit only to realize she can stretch further. Another friend texted me, “How do we bear the unbearable?” and then a photo of her beloved’s face full of joy as his childhood friend kissed him on the forehead.

We get through the unbearable together. We stretch ourselves in inconceivable ways. We stand on the threshold of February looking back and looking forward but mostly just looking at what we can see here. Like yesterday, while taking out the compost in the hard chill of the air, when I noticed the first crocus, papery and white, blowing hard in the wind but staying intact low to the ground. Like February, especially this year.

When the Real Winter Shows Up: Everyday Magic, Day 1046

In the last week, the temperatures have risen well over 70 degrees, what we expect in April and not in late December, but my dubious joy and relief from those balmy days has crashed into the reality of winter, which is a relief. It’s also a drudgery.

Today, it’s overcast, and the world is pewter-cold. Yet I don’t feel that strange panorama of emotion (I’m happy, I’m sad, I’m freaked out, I’m delighted) over climate-change-heated winters that feel like springs. I’m guessing this December, at least in our climes, will be the hottest December on record. So when the temperatures plummeted, it felt right to feel too cold and somewhat miserable because that’s part of what winter is….or at least, what it used to be.

Trying to change radio stations in a freezing car, not yet heating itself up, in wool gloves? Check. Realizing I should have worn my Cuddl Duds (very soft long underwear) under my clothes? Yup. Drinking hot tea instead of iced tea and really enjoying the heat coming off my oatmeal? Yes. Looking outside and feeling as gray and worn as the sky? You bet!

But there’s also a return today of winter wildlife I haven’t seen much of until now, a few days before the end of this strange year. This morning, I was distracted while on the phone by an enormous bird on the cedars outside. After taking some photos and focusing in, we found it was an immature red-tailed hawk, puffed out to maximum plumage. Looking out the bedroom window just now, I saw a family of deer about ten feet away, not yet cold and hungry enough to gingerly wander up to the bird feeder, but closer than they were in our too-warm days.

This is the kind of winter day that immerses us in a charcoal tunnel, but there’s something familiar, expected, normal even about long stretches of cold when we find ourselves thinking 30 degrees isn’t so cold because we’ve just passed through an arctic blast. There’s something right about winter being uncomfortable, and if I haven’t dressed warmly enough, painful and certainly dangerous. Winter shouldn’t be something to be trifled with, yet with all the days our temperatures played ball in the 50s and 60s, now a regular winter day feels odd…..and right too.

There’s no denying so much of what’s wrong these days, especially what’s in big flashing banners before us about climate change and the pandemic. So it’s good when, in the midst of both, I can step outside and feel so cold that the spring-dreaming part of me chimes in time with the wintering world.

The Inner and Outer Wildness That Brings Us Home: Everyday Magic, Day 1041

Stephanie Mills and my son Daniel at a Kansas Area Watershed Council gathering

Here’s a post about my new podcast, “Tell Me Your Truest Story.” Please listen to the podcast here.

For me, it’s always been the trees and sky, sun wavering on the surface of water, wind making its invisible presence known through the curving of prairie grass, the darkening night sky and the stars that emerge. It’s always been the bluebird on the edge of the field, the katy-did and katy-didn’t call of the katydids, the smell of cedar when I rub a small piece between my thumb and forefinger.

No wonder that when I discovered bioregionalism — a calling to learn how to live from where we actually live — I felt metaphorically and literally home. This movement that came of age in the early 1980s (in concert with my own young adulthood) focuses on how to be “…..lifelong students of how to live in balance with our eco-communities. We recognize that we are part of the web of the life, and that all justice, freedom and peace must be grounded in this recognition” (from a bioregional primer I put together with others some years back).

I found not just a name for what I know in my bones but kindred spirits, many of my closest friends to this day, including my husband. The bioregional congresses or gatherings we trekked to in Maine or Texas, British Columbia or Morelos, Mexico, deepened our connection to the places we left behind so that we could return more informed, inspired, and committed to keep community and make change. My bioregional pals have gone on to start land trusts, restore rivers, protect old-growth forests, manage community garden projects, and make no end of art, music, dance, and poetry that helps us breathe into where we live.

Hanging with David at his home in Santa Fe

Which is a long-winded way of saying how I met Stephanie Mills and David Abram and conceptualized the focus of my new podcast, Tell Me Your Truest Story. I first spied Stephanie in a big circle of 200 or so people at the first bioregional congress in Missouri in 1984 when, as a way to introduce herself, she said, “I want to learn about my inner wildness as well as the outer wildness.” Me too! I set out to get to know her, a very good move given that she’s an embodiment of wisdom, inquiry, and big vision into the harder and also more sublime edges of what it means to live in eco-community.

In 1988, at the bioregional gathering in Squamish, British Columbia, I met David, who not only did sleight of hand magic, but talked with expansive eloquence about how written language distances us from plants, animals, weather and earth, which also have their own language. I shivered in recognition, and when he moved to Lawrence to work on a post-doc at K.U., I made it a point to befriend him. He was sick at the time, so I would leave containers of soup at his doorstep, an offering of food to draw someone deeply connected to the wild out of his cave. It worked.

In the years since, both David and Stephanie have published the kinds of books that change lives, especially mine. David’s Spell of the Sensuous: Perception and Language in a More-Than-Human World, which he finished while in Lawrence, illuminate who we are in relation with the living earth. He writes,

0ur bodies have formed themselves in delicate reciprocity with the manifold textures, sounds, and shapes of an animate earth – our eyes have evolved in subtle interaction with other eyes, as our ears are attuned by their very structure to the howling of wolves and the honking of geese. To shut ourselves off from these other voices, to continue by our lifestyles to condemn those other sensibilities to the oblivion of extinction, is to rob our own senses of their integrity, and to rob our minds of their coherence. We are human only in contact, and conviviality, with what is not human.

Stephanie’s books, especially her Epicurian Simplicity, still tilts me toward being more where I am by growing my real-time awareness of leaves and insects, skies and ground. She writes, In Service to the Wild: Restoring and Reinhabiting Damaged Land,

In the land we may find solace for our wounds, privacy for a developing intimacy with a natural surround, an occasion for acting out healing processes that effect inner healing as well; or we may remain unconscious of and oblivious to the living community of the land. Numbed and paralyzed by the degree of damage that has been inflicted on the land, we may be domineering and exploitive toward it, or even blindly destructive. Our behavior toward the land is an eloquent and detailed expression of our character, and the land is not incapable of reflecting these statements back. We are perfectly bespoken by our surroundings.

My first episode, “The World is Made of Story” (taking its title from something David said during our interview), is about starting at the starting ground, right now and right here. What Stephanie and David have to say helps us listen to the stories that dissolve some of the boundaries between the inner and outer, which Rainer Maria Rilke speaks to in this poem:

Ah, not to be cut off,

not through the slightest partition

shut out from the law of the stars.

The inner – what is it?

if not intensified sky,

hurled through with birds and deep

with the winds of homecoming.

Please listen to the podcast here.