We Never Leave You, You Never Leave Us: Everyday Magic, Day 1064

I left because it was making me sick, the “it” being the job I had loved fiercely and believed I would give my heart and time to until I was well past retirement age. It was one of the hardest things I’ve ever done. It was one of the bravest. But my decision also meant I was parted from beloved land and people in and around Vermont who altogether were another home to me.

That was close to four years ago, and illness, cancer, and the pandemic being what they were, I didn’t have the chance to return to Goddard College, and more to the point, the places and people of my heart, until very recently. As soon as the plane touched down, I was surprise-flooded with ansty sorrow and sad urgency, something I would later realize was grief. It turns out that sometimes there’s only so much reconciliation and healing you can do from a distance. The first thing I had to do after we got our rental car was go to the campus with Ken, ferret out Jennifer, the woman who has holds together the college for the good over decades, and hug her a long time.

In 1996, I fell in love with the hills, mountains, woods, valleys, curves, and weather of the Green Mountains through the grounds of Goddard College. The smell of the air (pine, fir, humidity, and old wood) then, the mission of the college, the intense comradery of the faculty, and the life-changing work with the students filled me with a sense that I had found my place….at least for a good long while. I adored the intense, one-on-one teaching—more facilitation of what people wanted to learn and how they could best explore it—I did with students as well as the deep-dish connections with fellow faculty, talking late into the night about whatever made us laugh hardest.

The possibilities felt wide open, and it was there I developed Transformative Language Arts, founded and coordinated a MA in TLA for twenty years, and dug in to spin out out thousands of pages of proposals, plans, handouts, handbooks, and more for other projects, most of which crashed on the shores of we-fear-all-change in its many guises.

I persevered even when the signs billboarded sickness and anxiety, stuckness and despair. In my last decade or so of teaching there, the faculty in my program played a lot of go-on-leave-or-get-fired roulette because of the scarcity of resources and poverty mentality. We took pay cuts. Repeatedly. And we were getting paid way under value in the first place. Bad things happened, including the college, because of poor leadership and other issues, being put on probation. Infighting escalated. Then, for me, some big revelations.

First, I realized I needed to go on leave. Just a semester off, I told myself, after teaching continuously at Goddard or other institutions for 63 semesters straight with never a break. Once on leave, I decided to take off a second semester because I couldn’t make myself come back. Then the dreams started: night after night of seeing myself leaving my job. I’d wake up the next morning to tell myself I loved my job, but then I’d hear a voice in my head ask, “Do you?”

I didn’t anymore. I also had to reconcile myself with the immutable fact that after each ten-day or longer residency, I’d fly back to Kansas and promptly get sick for at least six weeks with chronic sinus issues, migraines, digestive hell. The body never lies, so they say, and this body rang clear as a bell. When I told close friends and my therapist I was thinking of quitting, they replied, “of course you are,” “it’s about time,” and “thank God.”

Since I left, most of my fellow faculty and the director of my program also departed. We’ve stayed in touch, speaking our leaving or needing-to-leave stories, the grief over what was no longer enduring, the dashed hopes and lost people along the way. Yet for me a searing bitterness lingered, blocking out all the good I experienced there, all the ways Goddard grew me up and blew open my understandings of places and people. I felt a sting when I ran into old photos of the place or picked up a cloth bag and found it had the college logo I once so proudly displayed. I had some reckoning to do.

When I returned to Vermont, it was also to wander with Jim across fields bordering Canada while watching ospreys in their nest. To laugh with Ruth over lunch in a quintessential Vermont charmer of a town. To make quinoa tabouli (so good!) with Suzanne we would eat outside surrounded by mountains beyond mountains. To meet the new goats at Sara and Joseph’s place in between hugging them repeatedly. To talk about our lives with Bobby. To connect with past students I’ve missed so much. To listen to so many others I carry with me in my heart from afar. It was a trip full of long hugs and overflowing delight in each other’s presence.

The woods on campus

But there was also this place that carried me for so long. I returned to campus a second time, leaving Ken to nap in the car, and went to the woods. When I was last here in 2018, I left little love notes in the woods, tucking them between branches or under rocks, thanking this place and saying goodbye just in case I didn’t return. It was over six months before I would decide that, but some part of me knew. Now I faced the woods, sitting against a light post on the path between the dorms and the library with my journal open. I was ready to write more notes.

Instead, the wind, the tall trees, the slow-motion falling first autumn leaves, the occasional acorn dropping, the soft late afternoon light told me to take dictation. The place was writing back to me, but no wonder. We are in reciprocal relationships with the land and sky we listen and speak to over time.

“You never left us. We never left you. You never leave us. We never leave you.” This, in so many words, is what I heard and recorded. It chimed through me as truth, helping me see that this place was and still is a healing ground underneath it all (and there’s a lot of “it all”). It turns out I only left a job because it’s impossible to actually leave what’s embedded in you.

Since then, I’ve been thinking of a Mary TallMountain poem I love, “There Is No Word For Goodbye” (which you can see in its entirety here). She writes, “We just say, Tlaa. That means,/ See you./ We never leave each other./ When does your mouth/ say goodbye to your heart?” It doesn’t, and we never leave each other.

10 Reasons to Come to Brave Voice: Everyday Magic, Day 1045

Kelley Hunt and my 16th annual six-day Brave Voice, Sept. 19-24 in Council Grove, Kansas. We have strong Covid protocols in place to keep everyone protected (all participants must show proof of vaccination, we’ll be spread out and will use masks for big group meetings), and the White Memorial Camp is also very committed to keeping us all healthy and safe. Everyone you need will be right at the camp too, including delicious, healthy meals (with vegan and vegetarian options).

Why should you join us at this retreat? Here’s some reasons:

  1. Magic: Yes, there is real magic, and it happens when you get a group of people who love to create — write, sing, make art, or just dip their toes into any of it — together in a sacred and relaxing place, mix in vast vistas of the lake and surrounding hills, add excellent food and deep sleep, and let everyone find their own best answers.
  2. Rest: There’s something about being away from home, surrounded by water and prairie, big skies and gentle breezes (with an occasional good rain) that makes for good sleeping weather. Plus, we hold open afternoons for people to create, wander, explore, collaborate, or take naps.
  3. Perspective: We all need to step out from the ordinary noise of our daily lives and see who we are now and what we have to say to ourselves and others from a new vantage point.
  4. Courage: Brave Voice is a courageous place where people are daring to create and listen to their hearts’ songs. Just being in that space give us back more of ourselves.
  5. Community: People make friendships, sometimes even for life, here. We witness each other, listen carefully, and find clarity and connection in community.
  6. Music: We sing, we’re sung to, we listen, we explore (no one has to sing alone or even sing at all), and oh, Kelley Hunt does a private concert for us!
  7. Writing: Writing is a way of knowing what’s true for us and what no longer holds water. In listening to each other, we find our way to our own strongest words and truest stories. I also do a private reading just for us.
  8. Surprises: The happy kind of surprises abound — maybe fresh pineapple or a new song (even if you’ve never written one), maybe a shooting star, a wonderful dream, or a double rainbow. Expect to be surprised in good ways.
  9. You: Coming to Brave Voice brings you home to yourself even more, and hey, don’t you need a great retreat right now?
  10. Flash Sale: We’re having a special sale to make Brave Voice more affordable for you right now — Aug. 18-22. Come visit our registration page here for the details of how to save close to $100.

Find out more at our website right here.

Let’s Talk About Simone Biles: Everyday Magic, Day 1043

Let’s talk Simone Biles But first, let’s talk about two gymnasts we don’t know the names of: Elena Mukhina and Julissa Gomez

Elena Mukhina, a 20-year-old Soviet gymnast, broke her neck right before the 1980 Olympics when her coach pushed her to practice her balance beam routine although her broken leg hadn’t yet healed. Doing the now-banned Thomas salto move, she landed on her chin, and she was permanently paralyzed. She died from quadriplegia complications at the age of 46.

Julissa Gomez, a 15-year-old American rising star, a few months before the 1988 Olympics, was having a shaky time on the vault lately. Her coaches insisted she work through her difficulty with a particularly hard vault routine although some of her teammates later said it was clear it wasn’t safe for her to practice that day. Her foot slipped on the springboard and she ended up paralyzed from the neck down, only to later suffer severe brain damage, which put her into a coma. Her family surrounded her with care and love until she died in 1991.

Let’s talk about what it means to be unable to speak up, or to speak up but to be bullied into doing what you know isn’t right for you at the time. Dominique Moceanu, another American gymnast, who suffered a potentially devastating injury in 1996, tweeted in response to applaud Biles’ decision that she and her teammates never felt they had any say in their health.

Let’s think about how athletes are often heroized for working through the pain, competing with broken limbs or sprained joints, pushing themselves despite the likeliness of permanent injuries (and I can’t help thinking here about all the football and soccer players with brain injuries for life).

Let’s also talk about the unimaginable pressure not just of representing a country and the Olympics in a pandemic while carrying the weight of being deemed the greatest gymnast of all time, but also what it means to be a survivor. Matthew Norlander wrote for CBS sports that Biles “….has gone on record and said, sadly, that one of her motivating factors to continue competing was her celebrity and influence on USA Gymnastics. Had she opted to retire prior to these Olympics, Biles felt like USA Gymnastics would not be, as an organization, held as accountable as it should be for its disgraces against dozens of former gymnasts who were abused by former USA Gymnastics trainer Larry Nassar. Biles is the only active gymnast in USA Gymnastics who doubles as a survivor from the Nassar era, and she carries this with her every day she practices, competes, exists as a member of Team USA.” Biles was sexually assaulted by Nassar, a doctor who was supposed to be caring for her health and not damaging it, along with 367 other young women. She wrote in social media how it continually broke her heart to have to return to the same Olympics training facility where she was abused.

Let’s talk about growing up hungry and in the foster care system after being removed from a mother who fed the cat over her four children and how those children clung to each other to survive. Then, when Biles was six, she and her sister were adopted by her grandparents, who she came to call Mom and Dad, but her other sibs went to other family in Ohio. Biles started gymnastics that year and made her world debut in 2013 at age 16.

Let’s talk about love in action for your teammates. Biles is renowned for helping other gymnasts find what they need to succeed, including Jordan Chiles, who moved to Texas to train with Biles (and didn’t give up on her Olympics dream because of Biles). As Biles made clear when she stepped down from competing this week, she believed in her team and knew it was time for them to take the spotlight. Sunisa Lee, in winning the gold medal for the all-around competition, did just that.

Let’s talk about Biles’ brave imagination in continually redefining herself, even saying, “After hearing the brave stories of my friends and other survivors, I know that this horrific experience does not define. I am much more than this.”

Most of all, let’s talk about the powerful grace of Simone Biles’ courage to say no, and to not follow the millions of harsh lights and loud yells to risk her own life and mental health. Biles not only brought to the world four extremely difficult moves named for her but a legacy for athletes, women, women of color, and survivors of sexual abuse to write their own life stories in tune with their wisdom, to listen to what’s right for them and to tell us their truths.

The Inner and Outer Wildness That Brings Us Home: Everyday Magic, Day 1041

Stephanie Mills and my son Daniel at a Kansas Area Watershed Council gathering

Here’s a post about my new podcast, “Tell Me Your Truest Story.” Please listen to the podcast here.

For me, it’s always been the trees and sky, sun wavering on the surface of water, wind making its invisible presence known through the curving of prairie grass, the darkening night sky and the stars that emerge. It’s always been the bluebird on the edge of the field, the katy-did and katy-didn’t call of the katydids, the smell of cedar when I rub a small piece between my thumb and forefinger.

No wonder that when I discovered bioregionalism — a calling to learn how to live from where we actually live — I felt metaphorically and literally home. This movement that came of age in the early 1980s (in concert with my own young adulthood) focuses on how to be “…..lifelong students of how to live in balance with our eco-communities. We recognize that we are part of the web of the life, and that all justice, freedom and peace must be grounded in this recognition” (from a bioregional primer I put together with others some years back).

I found not just a name for what I know in my bones but kindred spirits, many of my closest friends to this day, including my husband. The bioregional congresses or gatherings we trekked to in Maine or Texas, British Columbia or Morelos, Mexico, deepened our connection to the places we left behind so that we could return more informed, inspired, and committed to keep community and make change. My bioregional pals have gone on to start land trusts, restore rivers, protect old-growth forests, manage community garden projects, and make no end of art, music, dance, and poetry that helps us breathe into where we live.

Hanging with David at his home in Santa Fe

Which is a long-winded way of saying how I met Stephanie Mills and David Abram and conceptualized the focus of my new podcast, Tell Me Your Truest Story. I first spied Stephanie in a big circle of 200 or so people at the first bioregional congress in Missouri in 1984 when, as a way to introduce herself, she said, “I want to learn about my inner wildness as well as the outer wildness.” Me too! I set out to get to know her, a very good move given that she’s an embodiment of wisdom, inquiry, and big vision into the harder and also more sublime edges of what it means to live in eco-community.

In 1988, at the bioregional gathering in Squamish, British Columbia, I met David, who not only did sleight of hand magic, but talked with expansive eloquence about how written language distances us from plants, animals, weather and earth, which also have their own language. I shivered in recognition, and when he moved to Lawrence to work on a post-doc at K.U., I made it a point to befriend him. He was sick at the time, so I would leave containers of soup at his doorstep, an offering of food to draw someone deeply connected to the wild out of his cave. It worked.

In the years since, both David and Stephanie have published the kinds of books that change lives, especially mine. David’s Spell of the Sensuous: Perception and Language in a More-Than-Human World, which he finished while in Lawrence, illuminate who we are in relation with the living earth. He writes,

0ur bodies have formed themselves in delicate reciprocity with the manifold textures, sounds, and shapes of an animate earth – our eyes have evolved in subtle interaction with other eyes, as our ears are attuned by their very structure to the howling of wolves and the honking of geese. To shut ourselves off from these other voices, to continue by our lifestyles to condemn those other sensibilities to the oblivion of extinction, is to rob our own senses of their integrity, and to rob our minds of their coherence. We are human only in contact, and conviviality, with what is not human.

Stephanie’s books, especially her Epicurian Simplicity, still tilts me toward being more where I am by growing my real-time awareness of leaves and insects, skies and ground. She writes, In Service to the Wild: Restoring and Reinhabiting Damaged Land,

In the land we may find solace for our wounds, privacy for a developing intimacy with a natural surround, an occasion for acting out healing processes that effect inner healing as well; or we may remain unconscious of and oblivious to the living community of the land. Numbed and paralyzed by the degree of damage that has been inflicted on the land, we may be domineering and exploitive toward it, or even blindly destructive. Our behavior toward the land is an eloquent and detailed expression of our character, and the land is not incapable of reflecting these statements back. We are perfectly bespoken by our surroundings.

My first episode, “The World is Made of Story” (taking its title from something David said during our interview), is about starting at the starting ground, right now and right here. What Stephanie and David have to say helps us listen to the stories that dissolve some of the boundaries between the inner and outer, which Rainer Maria Rilke speaks to in this poem:

Ah, not to be cut off,

not through the slightest partition

shut out from the law of the stars.

The inner – what is it?

if not intensified sky,

hurled through with birds and deep

with the winds of homecoming.

Please listen to the podcast here.

What’s In Your Mystery Box?: Everyday Magic , Day 1027

My mom gave me funds for my 60th birthday, which I instantly converted into another kind of mystery box, found at the Bizarre Bazaar

On the phone with my cousin Richard last night, we talked about how life gives you materials you don’t often sign up for, then you have to figure out what to do with them. “A rabbi once told me we all get a mystery box,” he said, and my mind lit up: that’s exactly it.

My mystery box has all kinds of challenges and blessings in it that are so far beyond my imagination, yearnings, and beliefs of where I would land in this life. The little Brooklyn girl who loved to draw pictures all day, and when tucked in her bed as a New Jersey teen, would listen to Cousin Brucie play the hits on her transistor radio could never have fathomed her life decades later.

My mystery box, as I opened it to another layer, then another, revealed two bouts of cancer, one exceedingly common and the other exceedingly rare, but also three (how did that happen? Well, we know, but still….) children of passionate intelligence and daring creativity. As someone always as in love with places as with people, who knew I would end up marrying a fifth-generation Kansas, and after decades of trying to find a way, actually buying the family land to continue stewarding and protecting? Likewise, I couldn’t have known that the writing and good witnesses at crucial times that would save my life would help me pay it forward.

But perhaps it’s not accurate to say we open the box ourselves: the mystery box opens us. I used to joke with my friend Bobby that we’re here to break our hearts open, and the older I get, the truer it is. Yet what increases our ability to love — as long as we don’t choose the rabbit hole of hardening our hearts and shutting ourselves away from life — also shows us just how fragile, vulnerable, and powerful we are. I hear this in Kelley Hunt’s “That’s What Makes You Strong,” a great Jesse Winchester song. The more we dance with the contents of the mystery box, the greater our capacity to feel life with all its heartbreak hills, annoyance potholes, mercy daybreaks, and glory vistas.

I also love the idea of the mystery box because I collect wooden boxes. Why? I don’t know, but I adore the smell of cedar and other woods, the beauty of a well-crafted box, and idea that little treasures can be gathered and held in such art. Our mystery boxes collect us too, gathering all the parts of us that seemed separate (but truly aren’t) over time so that we can discover more of the whole cloth of our lives.

What we find or what finds us in our mystery box is sometimes terrifying, often beautiful, and always ours. What’s in your mystery box?