Driving Home the Full Moon: Everyday Magic, Day 969

There I was, looking for the rising moon and wondering why it hadn’t yet shown itself. Maybe it was¬† too early for moonrise or prairie fires just to the north of Hwy. 35, which I was driving from Emporia to Lawrence, were hiding the ceiling of the sky. So I kept driving and looking, hoping for the moon to catch up with me.

I was also simultaneously tired and exhilarated, in part because of the moon the night before keeping me up despite¬†my “go-back-to-sleep-you-have-a-big-day-tomorrow” self-talk attempts. Even with the curtains of our bedroom closed, I could feel that big moon energy, making me want to get up and fry an omelette or read a book, but certainly not sleep.

It was the tail end of that big day — one that brought me meaning and joy, starting with visiting a wonderful poetry writing class at Emporia State University, where we talked about what real work was calling us and what truest words were singing through our writing. I had my first-ever professional studio photo shoot with the wonderful Dave Leiker, who brought me a surprising sense of peace while placing me in the middle of clamshell lighting. I ate gyros with one of my publisher-friends at the local brewery, then guzzled a whole lot of iced tea in the Granada Coffeehouse while revising a grant. I also got to talk deeply over Mexican food about land and literature with the current Kansas Poet Laureate, Kevin Rabas, who teaches at Emporia State, the wonderful creative writing chair, Amy Sage Webb, and a lovely young poet, Linzi Garcia, before giving a reading from Miriam’s Well.

Now I was driving 77 miles home, coming over a ridge to find a prairie fire dancing a line shaped like a question mark to my north, and then another kind of fire: the full moon, half-risen, raging orange, enormous on the eastern horizon.

The rest of the drive the moon rose fuller, slowly getting smaller as it got higher, turning from fire-orange to sherbet to peach to butterscotch to manila. I turned up my CD player, singing along with the whole score of “Godspell,” then rocking out to Kansas’s “Carry On, My Wayward Son” until, so appropriately, Sarah Vaughn’s “Moon River” aligned the moon, the music, the highway, and me.

Driving into the rising moon on an early spring night is a lot like standing outside on the first warm enough day when a sweet breeze blows through our beings and happily clears all the debris of winter and other life challenges, sadnesses, and heartbreaks. The more I drove with my good friend the moon lighting the way, the more I came home to how much I love this world.

Finishing Begin Again: Everyday Magic, Day 432

Yesterday, the books came, marking the end of months of editing, proofreading, checking the proof, talking with designers and photographer, and hundreds of emails to and fro with the press, and the 93 contributors. When I thought of doing the 150 Kansas Poems site, the idea of a book was just a glimmer (as in, “This might be a cool book”), but as the site unfolded, the poems shone brighter, and Woodley Press indicated some interest in publishing an anthology, a book became inevitable.

The space between a book’s inception and the box of books arriving isn’t often pretty, and it’s always far more complicated and challenging than any writer or editor imagines. I learned even more how much I hate rejecting people’s poems, particularly when some of the rejectees take it personally. I struggled with how to organize 150 poems, finally settling on a seasonal approach, and then finding ways to fit the poems together like a puzzle that would reveal a narrative of moving through weather, places, changes and realizations. There were many details to check over and over. “Begin Again” isn’t just a title of a wonderful poem in the anthology by Nancy Hubble: it’s a way of life for anyone generic cialis in australia putting out a book.

At the same time, I worked with great people — Kevin Rabas and Dennis Etzel at Woodley Press, designing poets superb Matt Porubsky and Leah Sewell (who also fed me at the fabled Porubsky’s in Topeka), and photographer of the skies Stephen Locke. Holding this book in my hands, looking at how artfully the photograph wraps the cover, and how full the book is of poems of so many stripes and spots, I’m very happy……and happy it’s done.

Now that Begin Again is finished, we begin anew to do readings — over a dozen happening soon or in the works, and some in a city near you. I’m especially looking forward to a Southwest Kansas tour (Garden City! Ulysses! Dodge City!) where we’ll bring a little poetry roadshow to a corner of the state where there aren’t many readings (I’m told our reading in Ulysses will be a first).

The book is beautiful, the poems are gorgeous, and where the book leads us now will bring many writers in this state and beyond together in ways we’re just glimpsing at the moment, kind of like the notion of this book itself less than a year ago.