Only-In-Lawrence-Kansas-Moments: Everyday Magic, Day 896
Lately, I’ve had a lot of only-in-Lawrence moments when wandering around downtown, and I feel compelled to share them with you:
We love music and poetry in this town, so of course, a panhandler needs to use a Leonard Cohen quote, “Love is the only engine for survival.” In exchange for this photo of him, I contributed to his cause.
We love animals and babies, so of course, I spied a woman pushing a stroller with a chihuahua in it, kept safely in place under some netting. The dog sat up happily, taking in the sites.
Speaking of strollers, we also tend to love Dennis, one of our Lawrence characters, and Dennis loves Sheryl Crow, his life-sized doll that he often wheels around town. I saw him last with rolled-up short shorts, and the top half of another life-sized doll. I almost talked with him, but I wasn’t in the mood to be cursed out, as is often the price of getting close to his celebrity. You can learn more about Dennis at the Friends of Dennis Facebook page, that asks, “Are you a friend of Dennis? Are you crazy for cats, Sheryl Crow, Las Vegas, big head posters? Share your love for our sweetest grouch and most brilliant stylist.”
Speaking of brilliant stylists, there’s also the Queen of England, who graces us with her life-sized cardboard cut-out, at Brits (sharing a wall with Au Marche, the French store). Here she is with Kris, who’s clearly about to ask her if she prefers sugar or honey in her Yorkshire Gold tea.
When it comes to tea, how can we not invoke the name and artistic brilliance of Anne Patterson, who, among her many other talents, has constructed a stroller-sized teapot for the annual Art Togeau parade, Lawrence’s wheeled art gala, held each spring? Here, she certainly hasn’t flipped her lid (photo by Craig Patterson).
Assorted other entities and happenings I’ve heard about downtown in the last few weeks: a fire hydrant wearing a zebra-print bar, someone who regularly brings a rabbit to poetry readings, glitter on the sidewalk leading to coconut cream pie nirvana at the Ladybird Diner (coincidence? or work of the pie gods?), and a sign on a power line pole that says, “I am a citizen of a country that does not exist yet.”
If you’re around here or have been through here, feel free to add your sightings.
The kids were already in the front seats when I arrived at the Coffey County Library branch in Gridley, Kansas to present “Kansas Weather in Life, Literature, and Photography,” a Kansas Humanities Council (KHC) program. In this town of 341 people, the library is the place to be, and not just for kids. By the time I began, people aged 9 to 90 filled seats, ready to take in Kansas poetry and photography (via Stephen Locke) about how our extreme weather shapes our lives and builds our character. We also shared their stories of communities coming together in the face of wild storms, close calls, beautiful vistas, and what our weather tells us about who we all.
One of many KHC programs, Water/Ways focuses on the impact of water (and by extension, weather) on our history, traditions, daily lives, and in the face of climate change, our very future. Such programs also bring together communities, helping us find the essential dialogue, diversity, and unity that is the bedrock of democracy.
Now a wild storm is threatening all of America, especially far-flung rural areas where there is little to no funding for arts and humanities programs except from state humanities councils. With the current U.S. president calling for eliminating the National Endowment for the Humanities, programs like the one I just did, that bring together people to share stories of hard-won wisdom and emerging visions, would vanish. As well, we would lose initiatives such as KHC’s “Migration Stories” on the experience of Africans in Midwestern communities, “Freedom of Speech in Kansas” on the importance of free speech, “FLIKS” promoting short documentaries on unique stories in our state, a vibrant speaker’s bureau, a long-standing book discussion program that has reached people in every corner of the state, and the state poet laureate program (which is completely funded by private donors).
I’ve had the honor of being roving scholar with KHC since 1994, as a book discussion leader, speaker’s bureau presenter, and the 2009-13 Kansas poet laureate. Living in a 400-mile-wide state, I’ve rambled many miles to talk about everything from Zora Neale Hurston’s Their Eyes Were Watching God to David Guterson’s Snow Falling on Cedars, books that give us intimate portraits of American history, from African-American communities in the Everglades in the 1920s (Huston), to Japanese-American communities before, during and after internment in the 1940s (Guterson). Such discussions help all of us grapple with our collective identity as Americans.
I’ve driven through snowstorms and ecstatic displays of lighting, up and down the Flint Hills by starlight, and across the high plains on startlingly bright mornings to meet Kansans of all ages eager to talk about what the humanities tell them of how to live with greater verve and meaning. In traveling far and wide to also talk about books with Jewish content, such as Alfred Kazin’s Walker in the City, I’ve shared traditions and history of my own faith, and by extension, participated in powerful interfaith dialogues about life and literature.
I’m a humanities scholar because I believe in face-to-face dialogue, community-building that includes many perspectives, and intergenerational exchanges about lessons learned or ahead of us. I love how humanities councils enable us to mek connections between urban and rural residents, and people of various faiths, ethnicities, and histories so that we can truly engage in forming “a more perfect union,” as stated in the preamble to our constitution:
We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defense, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.
To keep forming that more perfect union–along with safeguarding justice, tranquility, liberty, and yes, even prosperity–we must save the humanities, which provide us the gathering ground to more deeply understand our birthright along with ways to learn how to better be true to ourselves and our communities.
If you believe in the humanities–in other words, please contact your legislators today. Here’s a link to find contact information. And join us at humanities programs wherever you live: here’s a link to find your state humanities council. It’s so easy to tear down programs that give us greater vision, and so hard to build such programs. Let’s not lose what helps makes us more human.
“Southern California Wants to Be Western New York” is the title and subject of one of Dar Williams’ songs about what happens when the left coast suffers from yearning for a post-industrial crisis. On January 4, I got to read this poem along with other poems I wrote that riff off songs from Dar’s “Mortal City” album. Given that one of my most ardent fans (my son Daniel) said I should share this on my blog, here we are, and here’s a video of this incredible song.
Kansas Just Wants to Be Kansas
Southern California may want to be western New York,
but Kansas just wants to be Kansas, large and hidden in plain sight.
Too bad the earthquakes have migrated north, fracking us out of bed
to land on ground not used to shimmying. Too bad about the politics too,
shocked out of their long stay of sensibility, and smelling like
the aftermath of tragedy. Yeah, Kansas just wants to be Kansas,
weather-weary and not taking any prisoners, ready for whatever
the sky between the Rockies and the rivers storms together
past, present and future in the sweet smell of rain and heat lightning.
Kansas doesn’t want to be San Diego, swanky and silk in its
Mediterranean rags. We’re just not a picturesque Vermont town
ambling down the side of a mountain, or Texas where the heat is as intense
as the chutzpah. Kansas certainly doesn’t ever want to be Iowa,
all dressed up in its big-box statehood but with brighter ribboning interstates.
We just want to continue to be your friendly waitress at 2 a.m.,
able to carry six different slices of pie cascading down one arm,
and in the other hand, a pot of coffee, fully-loaded, ready to serve you
something that makes you forget about the desire to be what you’re not,
and remember the beauty of the wind, an old train that arrives
ahead of schedule to say, “yes, you’re finally home.”
Last night I dreamed that we had just moved to Madison, Wisconsin, where our oldest son now lives, because Ken got a kick-ass job directing a nature center. As soon as we arrived at some friend’s house and brought in a suitcase, I started crying uncontrollably. Ken was sad too, and eventually, a friend from Lawrence showed up for a walk that ended up at the curb outside a Walgreens, where all three of us were very sad. I woke up thinking what I often think when anyone I know leaves Lawrence, Kansas, center of the universe as far as I’m concerned.
I don’t mean to put down anyone’s decisions to live elsewhere and call it their own center of the universe, but there’s something about Kansas that got a hold of me a long time ago, and there’s no place I would rather live. Yes, there’s the politics, more despicable these days that the worst most of us could imagine. There’s the weather, sporting stretches of summer where the temperature barely falls below 90 and can top 100 for days, tempered by ice storms and sub-zero winters. There’s the chiggers, public enemy #1 for many of us who step into fields in summer. There’s also far too many conservative Christian Republicans for my taste, and slim chance of finding a real bagel, let alone a bialy. There’s rattlesnakes, cougars, and too many mosquitoes.
But there’s also this: the wind right now pouring through the Osage Orange around the porch. There’s people throughout the state who would, if your house caught fire or car broke down, show up to help build you a new house and trouble-shoot your car for hours. There’s pie to die for. There’s long and curvy roads as well as endless horizon roads where your own company is the tallgrass prairie, wind, sky and an occasional coyote. There’s a panoramic view of wild weather, the thrill of lightning striking all around you, the purple flash it ignites, and the very rare tornado that wakes us all up and sends us outside to watch (close to a basement of course). There’s our Free State history along with the history of the Kaw, Osage and many other tribal peoples so resonant in this land. There’s Castle Rock, the whole town of Lucas, wonderful neighborhoods in Wichita, amazing Vietnamese food in Goodland, and the best fried chicken in the universe in a St. Francis gas station.
In Lawrence especially, there’s long brunches at the Roost while sitting outside on Mass St., the most beautiful floor tiles I’ve ever seen at Kring’s, astonishing fabric at Sarah’s, and coconut cream pie at Ladybird after a great pizza at Limestone. There’s the river and our many walks across the Kaw alone or with big groups of friends. There’s swirls of goldfinch reflecting back the light, bluebirds and eagles in winter, and indigo bunting exploding from tree to tree to summer. There’s the gorgeous Snow Hall building on campus with Snow White lettering, and thousands of iris in spring down Jayhawk Drive. Of course, there’s basketball, fireworks, the old-fashioned Christmas parade, the Final Fridays when the streets fill up with art and a building in east Lawrence is flooded with blue lights. There’s Clinton Lake in kayaks while the moon rises, and the Baldwin Woods in early spring when the Spring Beauties appear. Mostly, though, there’s a sense of community and magic made of knowing many of us are in for the long haul and eventually, we’re run into each other at Liberty Hall and dance to the music of Kelley Hunt like there’s no tomorrow. There’s also tomorrow.
While I love visiting the places my work and kids have drawn me to in my life — amazing cities like Burlington, VT., Minneapolis, and Madison — along with the city I’m from, New York — it turns out that this place, battered by history and politics and once a microburst, is my place.
Nothing like packing a suitcase to make me wish that suitcase wasn’t leaving the house. That pre-trip sadness, lyrical enough to be deemed melancholy, even when going some place exciting (meaning: less than 96 degrees and 90% humidity), always snags me as I walk through rooms, collecting what goes into the suitcase. It also feels like packing for time travel as I journey ahead into what Vermonters call summer and Kansans call early fall. But I realize it isn’t the time travel that jars me; it’s the simple separation of self from home.
I was comparing variations of this melancholia with my friend Kelley, who just left today for almost two weeks on tour, singing with all her heart and soul from Colorado to British Columbia. For me, the music is far quieter, mostly having to do with trying to facilitate some harmony from multiple voices gathered from all over the country for the Goddard Graduate Institute residency. This is a different kind of Goddard immersion for me because I’m acting program director of the institute for six months while my boss is on leave, which has the domino effect of putting me on leave from teaching students directly after doing so every semester since 1986. While I’m definitely feeling the heightened whatevers catalyzed by this job, mostly manifest in popping out of my hole in the ground with great alertness every morning to behold the dozens of emails needing immediately attention, I’m also facing my usual oh-is-it-almost-time-to-leave-again blues. At the same time, I love going to Vermont (who wouldn’t?), which is kind of a satellite home for me.
Yet these are minor blues, more the sky blue of summer that will wheel me back to Kansas in mid-August, where the heat will welcome me with open (and sweaty) arms. Then I’ll unpack the suitcase I’m packing today, putting long pants and light jackets away until the season I’m traveling to catches up with me in late September, all the time delighted to be reunited with the mother ship of home.